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Native recognition : Indigenous cinema and the western /
This book argues for the central role of Indigenous image-making in the history of American cinema. Across the twentieth and into the twenty-first centuries, Indigenous peoples have been involved in cinema as performers, directors, writers, consultants, crews, and audiences, yet both the specificity...
| Call Number: | Libro Electrónico |
|---|---|
| Main Author: | |
| Format: | Electronic eBook |
| Language: | Inglés |
| Published: |
Albany :
SUNY Press,
©2012.
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| Series: | SUNY series, horizons of cinema.
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| Subjects: | |
| Online Access: | Texto completo |
Table of Contents:
- Reframing the western imaginary: James Young Deer, Lillian St. Cyr, and the "squaw man" Indian dramas
- "Strictly American cinemas": social protest in The vanishing American, Redskin, and Ramona
- "As if I were lost and finally found": repatriation and visual continuity in Imagining Indians and The return of Navajo boy
- Imagining the reservation in House made of dawn and Billy Jack
- "Indians watching Indians on TV": native spectatorship and the politics of recognition in Skins and Smoke signals.