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|a Dagbovie-Mullins, Sika A.
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|a Crossing b(l)ack :
|b mixed-race identity in modern American fiction and culture /
|c Sika A. Dagbovie-Mullins.
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|a 1st ed.
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|a Knoxville :
|b University of Tennessee Press,
|c ©2013.
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|a 1 online resource (x, 171 pages)
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|a Includes bibliographical references (pages 141-159) and index.
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|a What's old is new again, or The brand new fetish : black/white bodies in American racial discourse -- From Naxos to Copenhagen : Helga Crane's mixed-race aspirations in Nella Larsen's Quicksand -- Homeward bound : negotiating borders in Lucinda Roy's Lady Moses and Danzy Senna's Caucasia -- "This is how memory works" : boundary crossing, belonging, and Blackness in mixed-race autobiographies -- B(l)ack to last drop? Mariah Carey, Halle Berry, and the complexities of racial identity in popular culture.
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|a Print version record.
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|a The past two decades have seen a growing influx of biracial discourse in fiction, memoir, and theory, and since the 2008 election of Barack Obama to the presidency, debates over whether America has entered a "post-racial" phase have set the media abuzz. In this penetrating and provocative study, the author adds a new dimension to this dialogue as she investigates the ways in which various mixed-race writers and public figures have redefined both "blackness" and "whiteness" by invoking multiple racial identities. Focusing on several key novels - Nella Larsen's Quicksand (1928), Lucinda Roy's Lady Moses (1998), and Danzy Senna's Caucasia (1998) - as well as memoirs by Obama, James McBride, and Rebecca Walker and the personae of singer Mariah Carey and actress Halle Berry, the author challenges conventional claims about biracial identification with a concept she calls "black-sentient mixed-race identity." Whereas some multiracial organizations can diminish blackness by, for example, championing the inclusion of multiple-race options on census forms and similar documents, a black-sentient consciousness stresses a perception rooted in blackness - "a connection to a black consciousness," writes the author, "that does not overdetermine but still plays a large role in one's racial identification." By examining the nuances of this concept through close readings of fiction, memoir, and the public images of mixed-race celebrities, this book demonstrates how a "black-sentient mixed-race identity reconciles the widening separation between black/white mixed race and blackness that has been encouraged by contemporary mixed-race politics and popular culture."
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|b EBSCO eBook Subscription Academic Collection - Worldwide
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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|a American fiction
|y 20th century
|x History and criticism.
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|a American fiction
|y 21st century
|x History and criticism.
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|a African Americans
|x Race identity.
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|a Racially mixed people in literature.
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|a Racially mixed people
|x Race identity
|z United States.
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650 |
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|a Passing (Identity) in literature.
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650 |
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|a Roman américain
|y 20e siècle
|x Histoire et critique.
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|a Roman américain
|y 21e siècle
|x Histoire et critique.
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|a Noirs américains
|x Identité ethnique.
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|a Passing (Identité) dans la littérature.
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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|a LITERARY CRITICISM
|x General.
|2 bisacsh
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|a African Americans
|x Race identity
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650 |
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|a American fiction
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|a Passing (Identity) in literature
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|a Racially mixed people in literature
|2 fast
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|a Racially mixed people
|x Race identity
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|a United States
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|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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|i Print version:
|a Dagbovie-Mullins, Sika A.
|t Crossing b(l)ack.
|b 1st ed.
|d Knoxville : University of Tennessee Press, ©2013
|z 9781572339323
|w (DLC) 2012020592
|w (OCoLC)794272325
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1109184
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