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Stravinsky's Piano : Genesis of a Musical Language.
An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge :
Cambridge University Press,
2013.
|
| Colección: | Music since 1900.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a2200000Mi 4500 | ||
|---|---|---|---|
| 001 | EBOOKCENTRAL_ocn828302550 | ||
| 003 | OCoLC | ||
| 005 | 20240329122006.0 | ||
| 006 | m o d | ||
| 007 | cr |n||||||||| | ||
| 008 | 130223s2013 enk o 000 0 eng d | ||
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| 020 | |a 9781107308244 | ||
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| 020 | |a 9781139017954 |q (electronic bk.) | ||
| 020 | |a 1139017950 |q (electronic bk.) | ||
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| 020 | |a 1107306043 | ||
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| 020 | |z 0521191785 | ||
| 035 | |a (OCoLC)828302550 |z (OCoLC)835235702 | ||
| 050 | 4 | |a ML410.S932 G73 2013 | |
| 082 | 0 | 4 | |a 780.92 |a 786.2092 |
| 049 | |a UAMI | ||
| 100 | 1 | |a Griffiths, Graham. | |
| 245 | 1 | 0 | |a Stravinsky's Piano : |b Genesis of a Musical Language. |
| 260 | |a Cambridge : |b Cambridge University Press, |c 2013. | ||
| 300 | |a 1 online resource (356 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Music Since 1900 | |
| 505 | 0 | |a Cover; Stravinsky's Piano; Series; Title; Copyright; Dedication; Contents; Figures; Music examples; Acknowledgements; Sources of copyright material; Introduction; 1 Becoming a Russian musician; Stravinsky's piano teachers; Early piano solos; Tarantella (1898): fragment; Scherzo (1902); Piano Sonata in F. minor (1903/4); Four Studies op. 7 (1908); Early songs; 'Tucha' ('Storm Cloud', 1902); 'How the Mushrooms Mobilized for War' (1904); The Faun and the Shepherdess op. 2 (1906); Two Melodies of Gorodetsky op. 6 (1907/1908); 'Pastorale' (1907); Rimskian principles; The orchestral piano. | |
| 505 | 8 | |a Petrushka: Burlesque in Four Scenes (1910-11)The Rite of Spring (1911-13); Two exceptions that prove the rule ... ; 2 Becoming a neoclassicist; Pianistic patterns; Taking the low road; Transcription and the performer; From Svadebka to Les Noces; Stravinsky's neoclassicism re-considered; Notes of objectivity; Poetics, process, pal'tserazvitiye; The 'pure' character of counterpoint; A reluctant disciple; 3 Stravinsky's piano workshop; Fingering as compositional process; A Leschetizkian route to pianism; Taruskin's nepodvizhnost' re-considered; 'Philipp' and Balanchine. | |
| 505 | 8 | |a 'Exaudi orationem meam': pedagogy appliedIndex-finger-over-thumb overlap; Progressive extension; Varied articulation; The pedal point; 'An organic whole'; 4 Departures and homecomings; Serial neoclassicism; Duo concertant (1931/1932); Concerto for Two Solo Pianos (1931/1935); Symphony in Three Movements (1942/1945); The Rake's Progress (1948/1951); Septet; Movements for Piano and Orchestra -- and beyond ... ; Neoclassical serialism; Septet (1952/1953); Movements for Piano and Orchestra (1958/1959) -- and beyond ... ; Conclusions; Notes; Bibliography; Index. | |
| 520 | |a An unprecedented exploration of Stravinsky's use of the piano as the genesis of all his music - Russian, neoclassical and serial. | ||
| 588 | 0 | |a Print version record. | |
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 600 | 1 | 0 | |a Stravinsky, Igor, |d 1882-1971. |t Piano music. |
| 600 | 1 | 7 | |a Stravinsky, Igor, |d 1882-1971 |2 fast |1 https://id.oclc.org/worldcat/entity/E39PBJy4hD69hhXQ7f8WGkpMfq |
| 630 | 0 | 7 | |a Piano music (Stravinsky, Igor) |2 fast |
| 650 | 0 | |a Stravinsky, Igor, |d 1882-1971 |x Criticism and interpretation. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Stravinsky's piano (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG3WbftDC9VB3B8t6Jmprm |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Griffiths, Graham. |t Stravinsky's Piano : Genesis of a Musical Language. |d Cambridge : Cambridge University Press, ©2013 |z 9780521191784 |
| 830 | 0 | |a Music since 1900. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=1113019 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL1113019 | ||
| 938 | |a YBP Library Services |b YANK |n 10197973 | ||
| 994 | |a 92 |b IZTAP | ||