Who Hears in Shakespeare? : Shakespeare's Auditory World, Stage and Screen.

This volume examines the ways in which Shakespeare's plays are designed for hearers as well as spectators and shows how Shakespeare's stagecraft, actualized both on stage and screen.

Détails bibliographiques
Cote:Libro Electrónico
Autres auteurs: Magnus, Laury, Cannon, Walter W., 1945-, Bevington, David M., Booth, Stephen, 1933-, Burton, J. Anthony, Gaskill, Gayle, Gurr, Andrew, Hirsh, James E., 1946-, Holl, Jennifer, Kliman, Bernice W., Minear, Erin, Myhill, Nova, 1970-, Sheppard, Philippa, 1966-, Smith, Kathleen Kalpin
Format: Électronique eBook
Langue:Inglés
Publié: Lanham : Fairleigh Dickinson University Press, 2011.
Sujets:
Speech in literature.
Listening in literature.
Voice in literature.
Oral communication in literature.
Parole dans la littérature.
Voix dans la littérature.
Communication orale dans la littérature.
Listening in literature
Oral communication in literature
Speech in literature
Voice in literature
Accès en ligne:Texto completo
Table des matières:
  • Dedication; Contents; Acknowledgments; Introduction: Shakespeare's Auditory World; Part I: The Poetics of Hearing and the Early Modern Stage; Chapter 01. Why Was the Globe Round?; Chapter 02. Guarded, Unguarded, and Unguardable Speech in Late Renaissance Drama; Chapter 03. Hearing Complexity; Chapter 04. "If This Be Worth Your Hearing"; Part II: Metahearing: Hearing, Knowing, and Audiences, Onstage and Off; Chapter 05. Mimetic Hearing and Meta-Hearing in Hamlet; Chapter 06. Hearing and Overhearing in The Tempest; Chapter 07. Asides and Multiple Audiences in The Merchant of Venice.

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