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Chinese art and its encounter with the world /
The book offers a bridge into the critical understanding of modern Chinese art through its encounter with the world beyond China's borders. David Clarke demonstrates Chinese art's interconnections with Western cultures while exploring its inherited cultural traditions and internal historic...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Hong Kong :
Hong Kong University Press,
©2011.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Clarke, David J. |q (David James), |d 1954- |e author. |1 https://id.oclc.org/worldcat/entity/E39PBJkD74PGgq66846yVJjcT3 | |
| 245 | 1 | 0 | |a Chinese art and its encounter with the world / |c David Clarke. |
| 260 | |a Hong Kong : |b Hong Kong University Press, |c ©2011. | ||
| 300 | |a 1 online resource (x, 259 pages) : |b illustrations (some color) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 504 | |a Includes bibliographical references and index. | ||
| 588 | 0 | |a Print version record. | |
| 505 | 0 | |a Acknowledgements; Introduction; Part I: Trajectories: Chinese artists and the West; Chapter 1: Chitqua: A Chinese artist in eighteenth-century London; Chapter 2: Cross-cultural dialogue and artistic innovation: Teng Baiye and Mark Tobey; Part II: Imported genres; Chapter 3: Iconicity and indexicality: The body in Chinese art; Chapter 4: Abstraction and modern Chinese art; Part III: Returning home: Cites between China and the world; Chapter 5: Illuminating facades: Looking at postcolonial Macau; Chapter 6: The haunted city: Hong Kong and its urban others in the postcolonial era. | |
| 520 | |a The book offers a bridge into the critical understanding of modern Chinese art through its encounter with the world beyond China's borders. David Clarke demonstrates Chinese art's interconnections with Western cultures while exploring its inherited cultural traditions and internal historical change. The first section deals with the cross-cultural trajectories of individual Chinese artists who traveled from China to the West and then returned. The focus then shifts from the movement of individual artists between cultures to the process by which specific genres of Western art have been interpret. | ||
| 590 | |a JSTOR |b Books at JSTOR Demand Driven Acquisitions (DDA) | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 650 | 0 | |a Art, Chinese |x Western influences. | |
| 650 | 0 | |a Art, Chinese |y 21st century. | |
| 650 | 6 | |a Art chinois |y 21e siècle. | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a Art, Chinese |2 fast | |
| 650 | 7 | |a Art, Chinese |x Western influences |2 fast | |
| 648 | 7 | |a 2000 - 2099 |2 fast | |
| 776 | 0 | 8 | |i Print version: |a Clarke, David J. (David James), 1954- |t Chinese art and its encounter with the world. |d Hong Kong : Hong Kong University Press, ©2011 |z 9789888083060 |w (OCoLC)713189782 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=863893 |z Texto completo |
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