Cargando…
Mimesis in Contemporary Theory : Volume 1: The literary and philosophical debate.
After almost two hundred years of relative obscurity mimesis finds itself again in the limelight of Western theoretical discourse. In the Anglo-American tradition, mimesis or 'imitation' regained some prominence, at the turn of the century, through S.H. Butcher's translation of and in...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
John Benjamins Publishing Company,
1984.
|
| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- MIMESISIN CONTEMPORARY THEORY: AN INTERDISCIPLINARY APPROACHVolume I: The Literary and Philosophical Debate; Editorial page; Title page; Copyright page; Table of contents; EDITOR'S INTRODUCTION; NOTES; PART I. THE LITERARY AND PHILOSOPHICAL DEBATE; THE MIMETIC BIAS IN MODERN ANGLO-AMERICAN CRITICISM; NOTES; SUBVERSIVE MIMESIS: THEODOR W. ADORNO AND THE MODERN IMPASSE OF CRITIQUE; NOTES; MIMESIS AND CONTEMPORARY FRENCH THEORY; NOTES; PART II. MODEL AND COPY (1): THE INTERRELATION OF LITERATURE AND OTHER MODES OF DISCOURSE; SPENSER'S ARCADIA: THE INTERRELATION OF FICTION AND HISTORY; I; II; III.
- IVV; NOTES; SIMULATION AND IMAGINATION: MIMESIS AS PLAY; 1. Simulation, ; 2. The definition of simulation given ÄT the beginning of the previoussection has intentionally been formulated in a reticent way.; 3. As far as the representation character of play is concerned, ; 4. In our presentation of William Stern's analysis of phantasy (imagination), ; 5. The similarity of play and imagination extends to their internal structure .; 6. The complex character of imagining or phantasying is linked withcreativity, ; NOTES; IDOLOLOGY: THE MODEL IN ARTISTIC PRACTICE AND CRITICAL THEORY; Introduction.
- Imitations and CopiesHidden Variables in Artistic Representation; A Short History of the Disappearance of the Model in Artistic Representation; Idols and Martyrs; NOTES; PART III. MODEL AND COPY (2): THE REFRACTION OF TEXTS; FOLLOWING THE CLASSICS: LAYERS OF STYLISTIC MIMESIS; I; II; III; NOTES; ON THE REFRACTION OF TEXTS; I; II; III; MIMESIS, MEDIATION AND COUNTERFEIT; I; II; III; IV; NOTES; SUGGESTIONS FOR FURTHER READING; CONTRIBUTORS; INDEX OF NAMES.