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Musical theatre, realism and entertainment /
In Musical Theatre, Realism and Entertainment, Millie Taylor explores the ways in which musical theatre reaches out to and involves its audiences. Taylor investigates how pleasure is stimulated by vocal, musical and spectacular performances.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Farnham, Surrey, England ; Burlington Vt. :
Ashgate,
©2012.
|
| Colección: | Ashgate interdisciplinary studies in opera.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Taylor, Millie. | |
| 245 | 1 | 0 | |a Musical theatre, realism and entertainment / |c Millie Taylor. |
| 246 | 3 | |a Musical theater, realism and entertainment | |
| 260 | |a Farnham, Surrey, England ; |a Burlington Vt. : |b Ashgate, |c ©2012. | ||
| 300 | |a 1 online resource (viii, 194 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 1 | |a Ashgate interdisciplinary studies in opera | |
| 504 | |a Includes bibliographical references (pages 173-185) and index. | ||
| 505 | 0 | |a Musical characterisation in HMS Pinafore and the Rocky horror show -- Encoding the voice : Show boat, Guys and dolls, and musical theatre post-1960 -- Integration and distance in musical theatre : the case of Sweeney Todd -- Layers of representation and the creation of irony : Aufstieg und Fall der Stadt Mahagonny, Merrily we roll along and The last 5 years -- Alternatives to linearity : Cabaret, Kiss of the spider woman and Assassins -- Illusions of realism in West Side story and actor-musician performances -- Experiencing live musical theatre performance : La Cage aux Folles and Priscilla, queen of the desert -- I've heard that song before : the jukebox musical and entertainment in The Jersey boys, Rock of ages, Mamma mia and We will rock you. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a In Musical Theatre, Realism and Entertainment, Millie Taylor explores the ways in which musical theatre reaches out to and involves its audiences. Taylor investigates how pleasure is stimulated by vocal, musical and spectacular performances. | ||
| 546 | |a English. | ||
| 590 | |a eBooks on EBSCOhost |b EBSCO eBook Subscription Academic Collection - Worldwide | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Musicals |x History and criticism. | |
| 650 | 0 | |a Musicals |x Characters. | |
| 650 | 0 | |a Musical theater |x History. | |
| 650 | 0 | |a Music and language. | |
| 650 | 6 | |a Comédies musicales |x Histoire et critique. | |
| 650 | 6 | |a Théâtre musical |x Histoire. | |
| 650 | 6 | |a Musique et langage. | |
| 650 | 7 | |a PERFORMING ARTS |x Theater |x Broadway & Musical Revue. |2 bisacsh | |
| 650 | 7 | |a Music and language |2 fast | |
| 650 | 7 | |a Musical theater |2 fast | |
| 650 | 7 | |a Musicals |2 fast | |
| 650 | 7 | |a Musical |2 gnd | |
| 650 | 7 | |a Musiktheater |2 gnd | |
| 650 | 7 | |a Unterhaltungskunst |2 gnd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 655 | 7 | |a History |2 fast | |
| 655 | 7 | |a dissertations. |2 aat | |
| 655 | 7 | |a Academic theses. |2 lcgft | |
| 655 | 7 | |a Thèses et écrits académiques. |2 rvmgf | |
| 758 | |i has work: |a Musical theatre, realism and entertainment (Text) |1 https://id.oclc.org/worldcat/entity/E39PCG8dgCcgQXBy4vFQYQd8Fq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Taylor, Millie. |t Musical theatre, realism and entertainment. |d Farnham, Surrey, England ; Burlington Vt. : Ashgate, ©2011 |z 9780754666707 |w (DLC) 2011024575 |w (OCoLC)731009784 |
| 830 | 0 | |a Ashgate interdisciplinary studies in opera. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=806868 |z Texto completo |
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