Deleuze on Cinema.

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Bibliographic Details
Call Number:Libro Electrónico
Format: Electronic eBook
Language:Inglés
Published: Hoboken : Taylor & Francis, 2003.
Subjects:
Deleuze, Gilles, > 1925-1995.
Deleuze, Gilles, > 1925-1995
Motion pictures > Philosophy.
Cinéma > Philosophie.
Motion pictures > Philosophy
Online Access:Texto completo
Table of Contents:
  • Front Cover
  • Deleuze on Cinema
  • Copyright Page
  • Contents
  • Abbreviations
  • Introduction
  • Chapter One. Bergson and Cinema
  • Deleuzeâ€?s Bergson
  • Three Bergsonian Theses on Movement
  • Image, Movement, Matter, Light
  • The Three Movement-Images
  • Chapter Two. Frame, Shot, and Montage
  • Frame and Shot
  • Montage: Organic and Dialectic
  • Montage: Quantitative and Intensive Chapter Three. Eighteen Signs (More or Less)
  • Peirce and Signs
  • The Perception-Image
  • The Affection-Image
  • The Impulse-Image
  • The Action-Image
  • The Reflection-Image
  • The Relection-Image
  • Chapter Four. Hyalosigns: Crystals of Time
  • Opsigns
  • Mnemosigns and Onirosigns Hyalosigns
  • Crystalline States
  • Chapter Five. Chronosigns: The Order of Time and Time as Series
  • Sheets of the Past, Peaks of the Present
  • Robbe-Grillet, Welles, and Resnais
  • Powers of the False
  • Rouchâ€?s Ethnofictions
  • Bodies and Categories
  • Chapter Six. Noosigns and Lectosigns: Image and Thought, Sight and SoundThe Classic Image of Thought
  • The Thought of the Outside
  • The Spiritual Automaton
  • Silent and Audible Lectosigns
  • The Modern Lectosign
  • A Note on Cinema, Theater, and Television
  • Conclusion
  • Notes
  • Works Cited

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