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Making words matter : the agency of colonial and postcolonial literature /

Why should Salman Rushdie describe his truth telling as an act of swallowing impure "haram" flesh from which the blood has not been drained? Why should Rudyard Kipling cast Kim, the imperial child-agent, as a body/text written upon and damaged by empire? Why should E.M. Forster evoke throu...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Hai, Ambreen, 1964-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Athens : Ohio University Press, ©2009.
Colección:UPCC book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hai, Ambreen,  |d 1964-  |1 https://id.oclc.org/worldcat/entity/E39PCjBPwrbf74Vg84QDvPBmwK 
245 1 0 |a Making words matter :  |b the agency of colonial and postcolonial literature /  |c Ambreen Hai. 
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520 |a Why should Salman Rushdie describe his truth telling as an act of swallowing impure "haram" flesh from which the blood has not been drained? Why should Rudyard Kipling cast Kim, the imperial child-agent, as a body/text written upon and damaged by empire? Why should E.M. Forster evoke through the Indian landscape the otherwise unspeakable racial or homosexual body in his writing? In Making Words Matter: The Agency of Colonial and Postcolonial Literature, Ambreen Hai argues that these writers focus self-reflectively on the unstable capacity of words to have material effects and to be censored, 
505 0 |a Acknowledgments; Introduction: The Unspeakable Body of the Tale; 1: Children of an Other Language: Kipling's Stories as Interracial Progeny; 2: The Doubleness of Writing (in) Kim, or, The Art of Empire; 3: Forster's Crisis: The Intractable Body and Two Passages to India, 1910-22; 4: At the Mouth of the Caves: A Passage to India and the Language of Re-vision; 5: From a Full Stop to a Language: Rushdie's Bodily Idiom; 6: When Truth Is WhatIt Is Told to Be: Rushdie's Storytelling, Dreams, and Endings; Epilogue: The Body as the Basis for Literary Agency: South Asia, Africa, and the Caribbean 
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600 1 0 |a Kipling, Rudyard,  |d 1865-1936  |x Literary style. 
600 1 0 |a Forster, E. M.  |q (Edward Morgan),  |d 1879-1970  |x Literary style. 
600 1 0 |a Rushdie, Salman  |x Literary style. 
600 1 4 |a Kipling, Rudyard,  |d 1865-1936  |x Literary style  |x Literary style  |x Literary style. 
600 1 4 |a Forster, E. M.,  |d 1879-1970  |q (Forster, Edward Morgan)  |x Literary style  |x Literary style  |x Literary style. 
600 1 4 |a Rushdie, Salman  |x Literary style  |x Literary style  |x Literary style. 
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650 0 |a Commonwealth fiction (English)  |x History and criticism. 
650 0 |a Human body in literature. 
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650 0 |a Postcolonialism in literature. 
651 0 |a South Asia  |x In literature. 
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650 6 |a Corps humain dans la littérature. 
650 6 |a Colonies dans la littérature. 
650 6 |a Postcolonialisme dans la littérature. 
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650 7 |a Postcolonialism in literature  |2 fast 
650 7 |a Literary style  |2 fast 
651 7 |a South Asia  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
776 0 8 |i Print version:  |a Hai, Ambreen, 1964-  |t Making words matter.  |d Athens : Ohio University Press, ©2009  |w (DLC) 2009005524 
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