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Selling the Air : a Critique of the Policy of Commercial Broadcasting in the United States.

In this interdisciplinary study of the laws and policies associated with commercial radio and television, Thomas Streeter reverses the usual take on broadcasting and markets by showing that government regulation creates rather than intervenes in the market. Analyzing the processes by which commercia...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Streeter, Thomas
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Chicago : University of Chicago Press, 2011.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Selling the Air :  |b a Critique of the Policy of Commercial Broadcasting in the United States. 
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505 0 |a Acknowledgments; Introduction; Part One: Liberal Television; One: The Fact of Television: A Theoretical Prologue; Two: Liberalism, Corporate Liberalism; Three: A Revisionist History of Broadcasting, 1900-1934; Part Two: The Politics of Broadcast Policy in a Corporate Liberal State; Four: Inside the Beltway as an Interpretive Community: The Politics of Policy; Five: Postmodern Property: Toward a New Political Economy of Broadcasting; Part Three: Selling the Air: Property Creation and the Privilege of Communication. 
505 8 |a Six: "But Not the Ownership Thereof": The Peculiar Property Status of the Broadcast LicenseSeven: Broadcast Copyright and the Vicissitudes of Authorship in Electronic Culture; Eight: Viewing as Property: Broadcasting's Audience Commodity; Nine: Toward a New Politics of Electronic Media; Index. 
520 |a In this interdisciplinary study of the laws and policies associated with commercial radio and television, Thomas Streeter reverses the usual take on broadcasting and markets by showing that government regulation creates rather than intervenes in the market. Analyzing the processes by which commercial media are organized, Streeter asks how it is possible to take the practice of broadcasting--the reproduction of disembodied sounds and pictures for dissemination to vast unseen audiences--and constitute it as something that can be bought, owned, and sold. With an impressive command of broadcast histo. 
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