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Gao Xingjian's idea of theatre : from the word to the image /

This book argues that Gao Xingjian's Idea of Theatre can only be explained by his broad knowledge and use of various Chinese and Western theatrical, literary, artistic and philosophical traditions. The author aims to show how Gao's theories of the theatre of anti-illusion, theatre of consc...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Łabędzka, Izabella
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Leiden ; Boston : Brill, 2008.
Colección:Sinica Leidensia ; v. 87.
Temas:
Acceso en línea:Texto completo

MARC

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505 0 |a Chinese avant-garde: new trends in Chinese exploratory and experimental theatre -- Actor in the space of illusion and anti-illusion -- New narrative strategies -- From realism to sur-realism: poets of the absurd and the grotesque -- Between life and death, reality and dream: towards an oneiric imagination -- In search of the total theatre. 
504 |a Includes bibliographical references (pages 219-235) and index. 
520 |a This book argues that Gao Xingjian's Idea of Theatre can only be explained by his broad knowledge and use of various Chinese and Western theatrical, literary, artistic and philosophical traditions. The author aims to show how Gao's theories of the theatre of anti-illusion, theatre of conscious convention, of the "poor theatre" and total theatre, of the neutral actor and the actor - jester - storyteller are derived from the Far Eastern tradition, and to what extent they have been inspired by 20th century Euro-American reformers of theatre such as Antonin Artaud, Bertolt Brecht, Vsevol 
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