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Buffy, Ballads, and Bad Guys Who Sing : Music in the Worlds of Joss Whedon.

When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studies--and academic work on Whedon's expanding oeuvre--continue to g...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Leonard, Kendra Preston
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lanham : Rowman & Littlefield Pub. Group, 2010.
Temas:
Acceso en línea:Texto completo

MARC

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520 |a When writer and director Joss Whedon created the character Buffy the Vampire Slayer, he could hardly have expected the resulting academic interest in his work. Yet almost six years after the end of Buffy on television, Buffy studies--and academic work on Whedon's expanding oeuvre--continue to grow. Now with three hugely popular television shows, Buffy the Vampire Slayer, Angel, and Firefly, and the film Serenity all available on DVD, scholars are evaluating countless aspects ofthe Whedon universe (or "Whedonverse"). Buffy, Ballads, and Bad Guys Who Sing: Music in the Worlds of Joss Whedon studie. 
505 0 |a FOREWORD: Music in the Key of Whedon; ACKNOWLEDGMENTS; NOTES ON ABBREVIATIONS AND USAGE; INTRODUCTION; CHAPTER ONE. WELCOME TO THE HELLMOUTH: Buffy's Music Arc; CHAPTER TWO. THEORIZING TELEVISION MUSIC AS SERIAL ART: Buffy the Vampire Slayer and the Narratology of Thematic Score; CHAPTER THREE. SPIKE ENSOULED: The Sonic Transformations of a Champion; CHAPTER FOUR. MORE THAN JUST A ROCK 'N' ROLL REVERSAL: Tracking Gender on Buffy the Vampire Slayer; CHAPTER FIVE. A SWEET VAMP: Critiquing the Treatment of Race in Buffy and the American Musical Once More (with Feeling). 
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