Reservation reelism : redfacing, visual sovereignty, and representations of Native Americans in film /

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In this deeply engaging account Michelle H. Raheja offers the first book-length study of the Indigenous actors, directors, and spectators who helped shape Hollywood's representation of Indigenous peoples. Since the era of silent films, Hollywood movies and visual culture generally have provided...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Raheja, Michelle H.
Format: Électronique eBook
Langue:Inglés
Publié: Lincoln : University of Nebraska Press, ©2010.
Collection:Book collections on Project MUSE.
Sujets:
1900-1999
Indians in motion pictures.
Indigenous peoples in motion pictures.
Indians in the motion picture industry > United States.
Stereotypes (Social psychology) in motion pictures.
Motion pictures > United States > History > 20th century.
Peuples autochtones au cinéma.
Autochtones au cinéma.
Stéréotypes au cinéma.
Cinéma > États-Unis > Histoire > 20e siècle.
PERFORMING ARTS > Film & Video > History & Criticism.
Indians in motion pictures
Indians in the motion picture industry
Indigenous peoples in motion pictures
Motion pictures
Stereotypes (Social psychology) in motion pictures
United States
Multi-User
History
dissertations.
Academic theses.
Thèses et écrits académiques.
Accès en ligne:Texto completo
Table des matières:
  • Toward a genealogy of Indigenous film theory : reading Hollywood Indians
  • Ideologies of (in)visibility : redfacing, gender, and moving images
  • Tears and trash : economies of redfacing and the ghostly Indian
  • Prophesizing on the virtual reservation : Imprint and It starts with a whisper
  • Visual sovereignty, Indigenous revisions of ethnography, and Atanarjuat (The fast runner)
  • Epilogue.

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