New Francophone African and Caribbean theatres /

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Staging a new politics of performance in the African diaspora.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Conteh-Morgan, John
Otros Autores: Thomas, Dominic Richard David
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, ©2010.
Colección:African expressive cultures.
Temas:
African drama (French) > History and criticism.
Theater > Africa, French-speaking Equatorial.
Theater > Africa, French-speaking West.
Caribbean drama (French) > History and criticism.
Theater > Caribbean, French-speaking.
Théâtre africain (français) > Histoire et critique.
Théâtre antillais (français) > Histoire et critique.
Théâtre > Antilles francophones.
DRAMA > Continental European.
Literature.
African drama (French)
Caribbean drama (French)
Theater
Drama
Drama > französisches > Afrika.
Drama > französisches > Westindien.
Drama.
Französisch.
Afrikansk dramatik (franskspråkig) > historia.
Västindisk dramatik (franskspråkig) > historia.
Teater > Afrika.
Teater > Västindien.
French-speaking Equatorial Africa
French-speaking Western Africa
Caribbean Area, French-speaking
Frankophones Afrika
Afrika.
Karibik.
Electronic books.
Criticism, interpretation, etc.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction : instrumentalizing performance and the Francophone postcolonial performative
  • Cultural trauma and ritual re-membering : Werewere Liking's Les mains veulent dire
  • The dramatist as epic performer : Eugène Dervain's Saran, ou la reine scélérate
  • The power and the pleasures of dramatized narrative : Bernard Zadi Zaourou's La guerre des femmes
  • Theatre as writing and voice : Patrick Chamoiseau's Manman dlo contre la fée carabosse
  • Tradition instrumentalized : Elie Stephenson's O mayouri
  • Militariat grotesqueries and tragic lament : Tchicaya u Tam'si's Le destin glorieux du maréchal nnikon nniku, prince qu'on sort and le bal de ndinga
  • From the grotesque to the fantastic : Sony Labou Tansi's Qui a mangé Madame d'Avoine Bergotha?
  • Exile and the failure of the nation; or, diasporic subjectivity from below : Simone Schwarz-Bart's Ton beau capitaine
  • Conclusion : Francophone theatres in the age of globalization.

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