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Contemporary Music : Theoretical and Philosophical Perspectives.
This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, phil...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Farnham :
Ashgate Pub.,
2010.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Paddison, Max. | |
| 245 | 1 | 0 | |a Contemporary Music : |b Theoretical and Philosophical Perspectives. |
| 260 | |a Farnham : |b Ashgate Pub., |c 2010. | ||
| 300 | |a 1 online resource (407 pages) | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 505 | 0 | |a Cover; Contents; List of Music Examples; List of Figures and Tables; Contributors; Preface; Introduction: Contemporary Music: Theory, Aesthetics, Critical Theory; PART I: Theoretical Perspectives and Retrospectives; 1 The Principles of Music and the Rationalization of Theory; 2 Atonal Harmony: From Set to Scale; 3 In Search of Lost Harmony; 4 Against a Theory of Musical (New) Complexity; 5 Heterogeneity: Or, On the Choice of Being Omnivorous; 6 Varse, Serialism and the Acoustic Metaphor; 7 'I Open and Close'?; 8 A Period of Confrontation: The Post-Webern Years. | |
| 505 | 8 | |a PART II: Philosophical Critiques and Speculations After Adorno9 A Philosophy of Totality; 10 Possibilities for a Work-Immanent Contemporary Musical Logic; 11 Postmodernism and the Survival of the Avant-garde; 12 Material Constraints: Adorno, Benjamin, Arendt; 13 Towards an Aesthetics of Risk; 14 Music and Social Relations: Towards a Theory of Mediation; PART III: Creative Orientations; 15 Music, Ambiguity, Buddhism: A Composer's Perspective; 16 Arti. | |
| 520 | |a This collection of essays and interviews addresses important theoretical, philosophical and creative issues in Western art music at the end of the twentieth- and the beginning of the twenty-first centuries. The book offers a wide range of international perspectives from prominent musicologists, philosophers and composers and includes new interviews with Pierre Boulez, Brian Ferneyhough, Helmut Lachenmann, and Wolfgang Rihm. Contributions with a theoretical emphasis consider the historical rationalization of music and technology, new approaches to the theorization of atonal harmony in the wake. | ||
| 588 | 0 | |a Print version record. | |
| 504 | |a Includes bibliographical references and indexes. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Music |y 20th century |x History and criticism. | |
| 650 | 0 | |a Music |y 20th century |x Philosophy and aesthetics. | |
| 650 | 0 | |a Music |y 21st century |x History and criticism. | |
| 650 | 0 | |a Music |y 21st century |x Philosophy and aesthetics. | |
| 650 | 6 | |a Musique |y 20e siècle |x Philosophie et esthétique. | |
| 650 | 6 | |a Musique |y 21e siècle |x Histoire et critique. | |
| 650 | 6 | |a Musique |y 21e siècle |x Philosophie et esthétique. | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Music |x Philosophy and aesthetics |2 fast | |
| 648 | 7 | |a 1900-2099 |2 fast | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 700 | 1 | |a Deliège, Irène. | |
| 776 | 0 | 8 | |i Print version: |a Paddison, Max. |t Contemporary Music : Theoretical and Philosophical Perspectives. |d Farnham : Ashgate Publishing Ltd, ©2010 |z 9780754604976 |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=564088 |z Texto completo |
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