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Popular culture genres : theories and texts /

"Popular Culture Genres is distinctive because it begins a fresh, elaborate discussion of a cultural phenomenon--the genre--in a concise and readable style. While much of the current scholarship surrounding popular culture is highly theoretical and largely abstract, Arthur Asa Berger offers a w...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Berger, Arthur Asa, 1933-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Newbury Park : Sage Publications, ©1992.
Colección:Foundations of popular culture ; vol. 2.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Berger, Arthur Asa,  |d 1933-  |1 https://id.oclc.org/worldcat/entity/E39PBJqbjcj9GHJY93rctQdRKd 
245 1 0 |a Popular culture genres :  |b theories and texts /  |c Arthur Asa Berger. 
260 |a Newbury Park :  |b Sage Publications,  |c ©1992. 
300 |a 1 online resource (xix, 171 pages). 
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490 1 |a Foundations of popular culture ;  |v vol. 2 
504 |a Includes bibliographical references (pages 160-162) and indexes. 
520 1 |a "Popular Culture Genres is distinctive because it begins a fresh, elaborate discussion of a cultural phenomenon--the genre--in a concise and readable style. While much of the current scholarship surrounding popular culture is highly theoretical and largely abstract, Arthur Asa Berger offers a witty, accessible study of genres and genre criticism, which, based on the methods and examples he provides, empowers readers to make their own analyses. Part I deals with genres from a critical perspective, asking such questions as: how do the conventions of different genres affect the creation and production of texts and the audiences of these texts? Do certain genres have significant social and political implications? How do genres evolve? And why do some genres (such as the Western) die out? Part II takes a look at five "classic" popular texts (in both their novel and film versions): The Maltese Falcon (tough-guy detective), Murder on the Orient Express (classic detective), Dr. No (spy story), War of the Worlds (science fiction), and Frankenstein (horror). Viewing these works in the context of their respective genres is not only instructive but fascinating reading as well."--Jacket 
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533 |a Electronic reproduction.  |b [Place of publication not identified] :  |c HathiTrust Digital Library,  |d 2010.  |5 MiAaHDL 
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505 0 |a Cover; Contents; Series Editor's Introduction; Preface; Acknowledgments; Part I -- Theories; Chapter 1 -- On the Structure of Genres; Chapter 2 -- Propp, de Saussure, and the Narrative; Chapter 3 -- Formulas and Texts; Chapter 4 -- Genre Theory; Chapter 5 -- Genre, Society, and Culture; Chapter 6 -- The Classic Mystery: A Case Study; Part II -- Texts; Chapter 7 -- Murder on the Orient Express; Chapter 8 -- The Maltese Falcon: The Hard-Boiled Detective Novel; Chapter 9 -- Dr. No; Chapter 10 -- War of the Worlds; Chapter 11 -- Frankenstein: The New Prometheus; Chapter 12 -- Conclusions; References. 
505 8 |a Name IndexSubject Index; About the Author. 
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650 0 |a Popular culture. 
650 0 |a Mass media genres. 
650 0 |a Literary form. 
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650 6 |a Culture populaire. 
650 6 |a Genres littéraires. 
650 7 |a mass media.  |2 aat 
650 7 |a popular culture.  |2 aat 
650 7 |a PSYCHOLOGY  |x Social Psychology.  |2 bisacsh 
650 7 |a Mass media genres  |2 fast 
650 7 |a Literary form  |2 fast 
650 7 |a Mass media  |2 fast 
650 7 |a Popular culture  |2 fast 
650 7 |a Volksliteratur  |2 gnd 
650 1 7 |a Genres.  |2 gtt 
650 1 7 |a Populaire cultuur.  |2 gtt 
651 7 |a Englisch.  |2 swd 
648 7 |a Geschichte 1880-1980.  |2 swd 
653 0 |a Popular culture 
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830 0 |a Foundations of popular culture ;  |v vol. 2. 
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