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Slaves, masters, and the art of authority in Plautine comedy /

What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Capti...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: McCarthy, Kathleen, 1962-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Chichester : Princeton University Press ; UPCCP, 2004.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a McCarthy, Kathleen,  |d 1962-  |1 https://id.oclc.org/worldcat/entity/E39PCjFvKdfGQgPqCtbJwwhwkC 
245 1 0 |a Slaves, masters, and the art of authority in Plautine comedy /  |c Kathleen McCarthy. 
260 |a Princeton, N.J. :  |b Princeton University Press ;  |a Chichester :  |b UPCCP,  |c 2004. 
300 |a 1 online resource (xi, 231 pages) 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Originally published: 2000. 
504 |a Includes bibliographical references and index. 
505 0 |a Preface; Abbreviations and Conventions; CHAPTER I: The Crowded House; CHAPTER II: The Ties That Bind: Menaechmi; CHAPTER III: Love's Labour's Lost: Casina; CHAPTER IV: A Kind of Wild Justice: Persa; CHAPTER V: Truth Is the Best Disguise: Captivi; CONCLUSION: The Slave's Image in the Master's Mind; Works Cited; Index of Plautine Passages; General Index. 
520 |a What pleasures did Plautus' heroic tricksters provide their original audience? How should we understand the compelling mix of rebellion and social conservatism that Plautus offers? Through a close reading of four plays representing the full range of his work (Menaechmi, Casina, Persa, and Captivi), Kathleen McCarthy develops an innovative model of Plautine comedy and its social effects. She concentrates on how the plays are shaped by the interaction of two comic modes: the socially conservative mode of naturalism and the potentially subversive mode of farce. It is precisely this balance of the. 
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600 1 0 |a Plautus, Titus Maccius  |x Criticism and interpretation. 
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650 0 |a Literature and society  |z Rome. 
650 0 |a Authority in literature. 
650 0 |a Slavery in literature. 
650 0 |a Comedy. 
650 4 |a Languages & Literatures. 
650 4 |a Greek & Latin Languages & Literatures. 
650 6 |a Littérature et société  |z Rome. 
650 6 |a Autorité dans la littérature. 
650 6 |a Esclavage dans la littérature. 
650 6 |a Comédie. 
650 7 |a DRAMA  |x Ancient, Classical & Medieval.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x Ancient & Classical.  |2 bisacsh 
650 7 |a Authority in literature  |2 fast 
650 7 |a Comedy  |2 fast 
650 7 |a Literature and society  |2 fast 
650 7 |a Master and servant in literature  |2 fast 
650 7 |a Slavery in literature  |2 fast 
651 7 |a Rome (Empire)  |2 fast 
655 7 |a Criticism, interpretation, etc.  |2 fast 
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776 0 8 |i Print version:  |a McCarthy, Kathleen, 1962-  |t Slaves, masters, and the art of authority in Plautine comedy.  |d Princeton, N.J. : Princeton University Press ; Chichester : UPCCP, 2004  |z 9780691117850  |w (OCoLC)53871582 
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