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B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present /
There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical,...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Farnham, England ; Burlington, VT :
Ashgate,
[2009]
|
| Colección: | Ashgate popular and folk music series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Plasketes, George, |e author. | |
| 245 | 1 | 0 | |a B-sides, undercurrents and overtones : |b peripheries to popular in music, 1960 to the present / |c George Plasketes, Auburn University, USA. |
| 264 | 1 | |a Farnham, England ; |a Burlington, VT : |b Ashgate, |c [2009] | |
| 264 | 4 | |c ©2009 | |
| 300 | |a 1 online resource (xii, 209 pages) | ||
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| 490 | 1 | |a Ashgate popular and folk music series | |
| 520 | |a There are undercurrents and peripheral taste preferences that are a defining part of our individual and collective cultural experience. Music is no exception. Professor George Plasketes adapts the iconic 'A-side/B-side' dichotomy from the 45 r.p.m. for use as a unique conceptual, critical, historical, and cultural framework for exploring and threading together a variety of popular music and media texts. The profiles and perspectives focus on the peripheries; on texts which might be considered 'B-sides' - overlooked, underappreciated, and unsung cases, creators, patterns and productions that ha. | ||
| 504 | |a Includes bibliographical references (pages 195-201) and index. | ||
| 505 | 0 | |a Get your 45s on : Terry Melcher, lost in the surf and sun of the 1960s sound waves -- How the midwest was won : the Chicago suburbs seven, a mid 1960s regional rotation -- Covering outside the lines : Hans Fenger and the Langley Schools music project -- Geffen Records v. Neil Young : the battle of the brands -- Music and movie mutuality : Ry Cooder, the involved bystander -- World music missionaries : cross culture convergences -- The vital visual voice of the videotape editor : seamlessly sculpting Graceland : the African concert -- Rock around the cop : Bochco's Broadway blue print as television musical muse and martyr -- Must sing TV : pop rock sitcom cameo obscuras -- Umbilical musical chords : lineage, legacy, and mom and pop pedigree -- Die another day : Warren Zevon's desperado deteriorata. | |
| 588 | 0 | |a Print version record. | |
| 546 | |a English. | ||
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| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Popular music |z United States |x History and criticism. | |
| 650 | 0 | |a Music |z United States |x History and criticism. | |
| 650 | 6 | |a Musique populaire |z États-Unis |x Histoire et critique. | |
| 650 | 6 | |a Musique |z États-Unis |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Genres & Styles |x Pop Vocal. |2 bisacsh | |
| 650 | 7 | |a Music |2 fast | |
| 650 | 7 | |a Popular music |2 fast | |
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| 655 | 0 | |a Electronic books. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a B-sides, undercurrents and overtones: peripheries to popular in music, 1960 to the present (Text) |1 https://id.oclc.org/worldcat/entity/E39PCH4wCTrvR4cVHJ9cvMrxMq |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 776 | 0 | 8 | |i Print version: |a Plasketes, George. |t B-sides, undercurrents and overtones. |d Farnham, England ; Burlington, VT : Ashgate, ©2009 |z 9780754665618 |w (DLC) 2008046196 |w (OCoLC)263605533 |
| 830 | 0 | |a Ashgate popular and folk music series. | |
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=438875 |z Texto completo |
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