Form, Program, and Metaphor in the Music of Berlioz.

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Examines how Berlioz used musical forms to represent a narrative, and to depict emotions such as madness or love.

Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Rodgers, Stephen
Format: Électronique eBook
Langue:Inglés
Publié: Leiden : Cambridge University Press, 2009.
Sujets:
Berlioz, Hector, > 1803-1869 > Criticism and interpretation.
Berlioz, Hector, > 1803-1869
Music > Philosophy and aesthetics.
Musical form.
Musique > Philosophie et esthétique.
Formes musicales.
Music > Philosophy and aesthetics
Musical form
Criticism, interpretation, etc.
Accès en ligne:Texto completo
Table des matières:
  • Cover; Half-title; Title; Copyright; Contents; Music examples; Figures; Acknowledgments; 1 Introduction; 2 Preliminary examples and recent theories; 3 Form as metaphor; 4 Mixing genres, mixing forms: sonata and song in Le Carnaval romain; 5 The vague des passions, monomania, and the first movement of the Symphonie fantastique; 6 Love's emergence and fulfillment: the Scène d'amour from Roméo et Juliette; 7 Epilogue; Notes; Bibliography; Index.

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