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From May fourth to June fourth : fiction and film in twentieth-century China /
What do the Chinese literature and film inspired by the Cultural Revolution (1966-1976) have in common with the Chinese literature and film of the May Fourth movement (1918-1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century...
| Cote: | Libro Electrónico |
|---|---|
| Autres auteurs: | , |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
Cambridge, Mass. :
Harvard University Press,
1993.
|
| Collection: | Harvard contemporary China series ;
9. |
| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Visitation of the past in Han Shaogong's post-1985 fiction / Joseph S.M Lau
- Past, present, and future in Mo Yan's fiction of the 1980s / Michael S. Duke
- Shen Congwen's legacy in Chinese literature ot the 1980s / Michael S. Duke
- Shen Congwen's legacy in Chinese literature of the 1980s / Jeffrey C. Kinkley
- Imaginary nostalgia / David Der-wei Wang
- Urban exoticism in modern and contemporary Chinese literature / Heinrich Fruehauf
- Text, intertext, and the representation of the writing self in Lu Xun, Yu Dafu, and Wang Meng / Yi-tsi Mei Feuerwerker
- Invention and intervention / Lydia H. Liu
- Living in sin / Margaret H. Decker
- Lu Xun's facetious muse / Marston Anderson
- Lives in profile / Theodore Huters
- Melodramatic representation and the "May Fourth" tradition of Chinese cinema / Paul G. Pickowicz
- Male narcissism and national culture / Rey Chow.