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Ugly feelings /

Envy, irritation, paranoia -- in contrast to powerful and dynamic negative emotions like anger, these noncathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Ngai, Sianne (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cambridge, Mass. : Harvard University Press, 2005.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Ugly feelings /  |c Sianne Ngai. 
260 |a Cambridge, Mass. :  |b Harvard University Press,  |c 2005. 
300 |a 1 online resource (viii, 422 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
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504 |a Includes bibliographical references (pages 357-405) and index. 
505 0 |a Tone -- Animatedness -- Envy -- Irritation -- Anxiety -- Stuplimity -- Paranoia -- Afterword: on disgust. 
520 |a Envy, irritation, paranoia -- in contrast to powerful and dynamic negative emotions like anger, these noncathartic states of feeling are associated with situations in which action is blocked or suspended. In her examination of the cultural forms to which these affects give rise, Sianne Ngai suggests that these minor and more politically ambiguous feelings become all the more suited for diagnosis the character of late modernity. Along with her inquiry into the aesthetics of unprestigious negative affects such as irritation, envy, and disgust, Ngai examines a racialized affect called "animatedness" and a paradoxical synthesis of shock and boredom called "stuplimity." She explores the politically equivocal work of these affective concepts in the cultural contexts where they seem most at stake, from academic feminist debates to the Harlem Renaissance, from late twentieth-century American poetry to Hollywood film and network television. Through readings of Herman Melville, Nella Larsen, Sigmund Freud, Alfred Hitchcock, Gertrude Stein, Ralph Ellison, John Yau, and Bruce Andrews, among others, Ngai shows how art turns to ugly feelings as a site for interrogating its own suspended agency in the affirmative culture of a market society, where art is tolerated as essentially unthreatening. Ngai mobilizes the aesthetics of ugly feelings to investigate not only ideological and representational dilemmas in literature -- with a particular focus on those inflected by gender and race -- but also blind spots in contemporary literary studies, media and cultural studies, feminist studies, and aesthetic theory 
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546 |a In English. 
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650 0 |a American literature  |x History and criticism. 
650 0 |a Emotions in literature. 
650 0 |a Psychological fiction, American  |x History and criticism. 
650 0 |a Negativism in literature. 
650 0 |a Sex role in literature. 
650 0 |a Race in literature. 
650 6 |a Négativisme dans la littérature. 
650 6 |a Rôle selon le sexe dans la littérature. 
650 6 |a Race dans la littérature. 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 7 |a American literature  |2 fast 
650 7 |a Emotions in literature  |2 fast 
650 7 |a Negativism in literature  |2 fast 
650 7 |a Psychological fiction, American  |2 fast 
650 7 |a Race in literature  |2 fast 
650 7 |a Sex role in literature  |2 fast 
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650 1 7 |a Amerikaans.  |2 gtt 
650 1 7 |a Emoties.  |2 gtt 
655 7 |a Criticism, interpretation, etc.  |2 fast 
758 |i has work:  |a Ugly feelings (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGJ8tDmHqJ6Tt9cWWC6mQy  |4 https://id.oclc.org/worldcat/ontology/hasWork 
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