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Film music : a history /
"Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances." "The book's four large parts are given over to Music and the &...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
New York :
Routledge,
2009.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Wierzbicki, James Eugene. | |
| 245 | 1 | 0 | |a Film music : |b a history / |c James Wierzbicki. |
| 260 | |a New York : |b Routledge, |c 2009. | ||
| 300 | |a 1 online resource (xv, 312 pages) : |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 504 | |a Includes bibliographical references (pages 279-294) and index. | ||
| 505 | 0 | |a Introduction -- Music and the "silent" film (1894-1927). Origins, 1894-1905 ; The nickelodeon, 1905-1915 ; Feature films, 1915-1927 -- Music and the early sound film (1894-1933). The long advent of sound, 1894-1926 ; Vitaphone and movietone, 1926-8 ; Hollywood's early sound films, 1928-33 -- Music in the "classical-style" Hollywood film (1933-60) ; The "golden age" of film music, 1933-49 ; Postwar innovations and the strugge for survival, 1949-58 -- Film music in the post-classic period (1958-2008). A "new wave" of film music, 1958-1978 ; Eclecticism, 1978-2001 ; Epilogue, 2001-8. | |
| 588 | 0 | |a Print version record. | |
| 520 | |a "Film Music: A History explains the development of film music by considering large-scale aesthetic trends and structural developments alongside socioeconomic, technological, cultural, and philosophical circumstances." "The book's four large parts are given over to Music and the "Silent" Film (1894-1927), Music and the Early Sound Film (1894-1933), Music in the "Classical-Style" Hollywood Film (1933-1960), and Film Music in the Post-Classic Period (1958-2008). Whereas most treatments of the subject are simply chronicles of "great film scores" and their composers, this book offers a genuine history of film music in terms of societal changes and technological and economic developments within the film industry. Instead of celebrating film-music masterpieces, it deals - logically and thoroughly - with the complex "machine" whose smooth running allowed those occasional masterpieces to happen and whose periodic adjustments prompted the large-scale twists and turns in film music's path."--Jacket | ||
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| 650 | 0 | |a Motion picture music |x History and criticism. | |
| 651 | 4 | |a Multinational. | |
| 650 | 6 | |a Film, Musique de |x Histoire et critique. | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 7 | |a Motion picture music |2 fast | |
| 650 | 7 | |a Filmmusik |2 gnd | |
| 650 | 7 | |a Motion picture music |x History and criticism. |2 sears | |
| 648 | 7 | |a Geschichte (1894-2008) |2 swd | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast | |
| 758 | |i has work: |a Film music (Text) |1 https://id.oclc.org/worldcat/entity/E39PCFvyJdMPg6KT7RBhR4PytX |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
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| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=371024 |z Texto completo |
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