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Music as discourse : semiotic adventures in romantic music /

The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. This book presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself.

Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Agawu, V. Kofi (Victor Kofi)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oxford ; New York : Oxford University Press, ©2009.
Colección:Oxford studies in music theory.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Music as language
  • Criteria for analysis I
  • Criteria for analysis II
  • Bridges to free composition
  • Paradigmatic analysis
  • Liszt, Orpheus (1853-1854)
  • Brahms, Intermezzo in E minor, op. 119, no. 2 (1893), and Symphony no. 1/ii (1872-1876)
  • Mahler, Symphony no. 9/i (1908-1909)
  • Beethoven, string quartet, op. 130/i (1825-1826), and Stravinsky, Symphonies of wind instruments (1920)
  • Epilogue.