Music as discourse : semiotic adventures in romantic music /
The question of whether music has meaning has been the subject of sustained debate ever since music became a subject of academic inquiry. This book presents a synthetic and innovative approach to musical meaning which argues deftly for the thinking of music as a discourse in itself.
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Oxford ; New York :
Oxford University Press,
©2009.
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| Colección: | Oxford studies in music theory.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Music as language
- Criteria for analysis I
- Criteria for analysis II
- Bridges to free composition
- Paradigmatic analysis
- Liszt, Orpheus (1853-1854)
- Brahms, Intermezzo in E minor, op. 119, no. 2 (1893), and Symphony no. 1/ii (1872-1876)
- Mahler, Symphony no. 9/i (1908-1909)
- Beethoven, string quartet, op. 130/i (1825-1826), and Stravinsky, Symphonies of wind instruments (1920)
- Epilogue.


