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Nonverbal communication across disciplines : narrative literature, theater, cinema, translation.
This volume, based on the first two, identifies the verbal and nonverbal personal and environmental components of narrative and dramaturgic texts and the cinema -- recreated in the first through the 'reading act' according to gaze mechanism and punctuation -- and traces the coding-decoding...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam :
John Benjamins,
2002.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
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| 003 | OCoLC | ||
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| 020 | |a 902729710X | ||
| 020 | |a 9789027297105 | ||
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| 049 | |a UAMI | ||
| 100 | 1 | |a Poyatos, Fernando. | |
| 245 | 1 | 0 | |a Nonverbal communication across disciplines : |b narrative literature, theater, cinema, translation. |
| 260 | |a Amsterdam : |b John Benjamins, |c 2002. | ||
| 300 | |a 1 online resource | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a V. 3. | ||
| 505 | 0 | |a Nonverbal Communication across Disciplines, VolumeIII; Title page; LCC data; Dedication; Table of contents; Preface; Introduction; Chapter 1: Nonverbal communication in the text; Chapter 2: The semiotic-communicative itinerary of the character between writer and reader or spectator; Chapter 3: Sound and silence in the text; Chapter 4: Kinesics and the other visual systems in the novel and the theater; Chapter 5: Punctuation as nonverbal communication; Chapter 6: Functions of nonverbal communication in literature; Chapter 7: Literary anthropology; Notes; List of illustrations. | |
| 520 | |a This volume, based on the first two, identifies the verbal and nonverbal personal and environmental components of narrative and dramaturgic texts and the cinema -- recreated in the first through the 'reading act' according to gaze mechanism and punctuation -- and traces the coding-decoding processes of the characters' semiotic-communicative itinerary between writer-creator and reader-recreator. In our total experience of a play or film we depend on the sensory and intellectual relationships between performers, audience and the environment of both, in a temporal dimension starting on the way to t. | ||
| 590 | |a ProQuest Ebook Central |b Ebook Central Academic Complete | ||
| 650 | 0 | |a Nonverbal communication. | |
| 650 | 0 | |a Communication and culture. | |
| 650 | 0 | |a Oral communication. | |
| 650 | 2 | |a Nonverbal Communication | |
| 650 | 6 | |a Communication non verbale. | |
| 650 | 6 | |a Communication et culture. | |
| 650 | 6 | |a Communication orale. | |
| 650 | 7 | |a Communication and culture |2 fast | |
| 650 | 7 | |a Nonverbal communication |2 fast | |
| 650 | 7 | |a Oral communication |2 fast | |
| 758 | |i has work: |a Nonverbal Communication Across Disciplines (Text) |1 https://id.oclc.org/worldcat/entity/E39PCY6jm9PvfrpcG8j6txX6JC |4 https://id.oclc.org/worldcat/ontology/hasWork | ||
| 856 | 4 | 0 | |u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=622924 |z Texto completo |
| 938 | |a EBL - Ebook Library |b EBLB |n EBL622924 | ||
| 938 | |a YBP Library Services |b YANK |n 2771895 | ||
| 994 | |a 92 |b IZTAP | ||