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EBOOKCENTRAL_ocn191035565 |
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OCoLC |
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20240329122006.0 |
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080121s2001 nyu o 000 0 eng d |
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|a 0511046766
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|a 9780511046766
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|a (OCoLC)191035565
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|a N
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|a 709.04071
|a 709/.73/09046
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|a UAMI
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100 |
1 |
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|a Harrison, Sylvia,
|d 1947-
|1 https://id.oclc.org/worldcat/entity/E39PCjGMPyhBw6kJDc34xTqytX
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|a Pop art and the origins of post-modernism.
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|a New York :
|b Cambridge Univ Press,
|c 2001.
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|a 1 online resource (1 volume)
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|a text
|b txt
|2 rdacontent
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|a computer
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|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover; Half-title; Series-title; Title; Copyright; Contents; Introduction; PART ONE Theoretical Framework; PART TWO "Social" Critics; PART THREE "Philosophical" Critics; PART FOUR "Cultural" Critics; Conclusion; Notes; Index.
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520 |
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|a Harrison's study examines the critical reception of Pop Art, comparing the ideas of its New York-based critics with the strikingly similar body of thought now associated with deconstructive post-modernism. Pop Art thus spawned not only visual commentary on post-war society, but also the subversive critical consciousness now dominant in academe.
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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650 |
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|a Pop art
|z United States
|x Influence.
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650 |
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|a Postmodernism
|z United States.
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650 |
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6 |
|a Pop'art
|z États-Unis
|x Influence.
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650 |
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6 |
|a Postmodernisme
|z États-Unis.
|
650 |
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7 |
|a Pop art
|x Influence
|2 fast
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650 |
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7 |
|a Postmodernism
|2 fast
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651 |
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7 |
|a United States
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJtxgQXMWqmjMjjwXRHgrq
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758 |
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|i has work:
|a Pop art and the origins of post-modernism (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCFyCgPPMtQ3MwcdGdtBWrC
|4 https://id.oclc.org/worldcat/ontology/hasWork
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856 |
4 |
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|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=147331
|z Texto completo
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938 |
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|a EBL - Ebook Library
|b EBLB
|n EBL147331
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938 |
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|a YBP Library Services
|b YANK
|n 2826199
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994 |
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|a 92
|b IZTAP
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