The old dualities : deconstructing Robert Kroetsch and his critics /
Dianne Tiefensee contends that Kroetsch and his critics have, to some degree, misunderstood the implications of Derrida's "deconstruction" and adhere to a Bloomian "misreading" that is firmly grounded in traditional philosophy. She addresses the metaphysical presuppositions...
Clasificación: | Libro Electrónico |
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Autor principal: | |
Formato: | Electrónico eBook |
Idioma: | Inglés |
Publicado: |
Montréal [Que.] :
McGill-Queen's University Press,
©1994.
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Temas: | |
Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Contents
- Acknowledgments
- Introduction
- PART ONE: DERRIDEAN DECONSTRUCTION, CANADIAN POSTMODERNISM, AND ROBERT KROETSCH
- 1 Writing with Two Hands: Derridean Deconstruction
- 2 Gaining Ground: Situating Robert Kroetsch in Canadian Postmodernism
- 3 Field Notes: Robert Kroetsch and the Critics
- 4 Learning the Hero: Alibi and the Critics
- PART TWO: THE WRITING OF ROBERT KROETSCH
- 5 A Canadian Issue: The Canadian Story
- 6 Unhiding the Hidden: Archaeology, Dialectic, Intertextuality, and Voice
- 7 Carnival and Violence: The Quest of Love8 Fear of Women: A Misogynist Erotics
- 9 The Disappearing Father: Anna Dawe's Quest
- 10 Canadian Postmodernism and Difference: Conclusion
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y