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|a UAMI
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100 |
1 |
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|a Hill, Janet,
|d 1943-
|e author.
|1 https://id.oclc.org/worldcat/entity/E39PCjtBgVpHvk9Yvbjp7Vk6fC
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245 |
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|a Stages and playgoers :
|b from guild plays to Shakespeare /
|c Janet Hill.
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260 |
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|a Montreal ;
|a Ithaca [NY] :
|b McGill-Queen's University Press,
|c ©2002.
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|a 1 online resource (241 pages)
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a data file
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|a Includes bibliographical references (pages 221-234) and index.
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|a Print version record.
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|a Introduction -- Oure plays -- Nonce plays -- I know you all -- Open address in the romances.
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|a "The tradition of direct address has little to do with the frequently touted notion of the "fluidity of the Renaissance stage": the point is not that stage characters can talk to the audience but that they actually do reach out to the playgoers and in so doing import aspects of the audience world to the stage. These exchanges appear frequently in late-medieval drama and continue to be crucial stage strategies for Shakespeare, in whose work they grow and change."--Jacket
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|a JSTOR
|b Books at JSTOR Demand Driven Acquisitions (DDA)
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|a eBooks on EBSCOhost
|b EBSCO eBook Subscription Academic Collection - Worldwide
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590 |
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|a ProQuest Ebook Central
|b Ebook Central Academic Complete
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600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Stage history
|y To 1625.
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600 |
1 |
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|a Shakespeare, William,
|d 1564-1616
|x Technique.
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600 |
1 |
7 |
|a Shakespeare, William,
|d 1564-1616
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJxx96qPfyhwWrJChP9kXd
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650 |
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0 |
|a English drama
|y Early modern and Elizabethan, 1500-1600
|x History and criticism.
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650 |
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0 |
|a Mysteries and miracle-plays, English
|x History and criticism.
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650 |
|
0 |
|a English drama
|y 17th century
|x History and criticism.
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650 |
|
0 |
|a Theater audiences
|z England
|x History
|y 16th century.
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650 |
|
0 |
|a Theater audiences
|z England
|x History
|y 17th century.
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650 |
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0 |
|a Theater audiences
|z England
|x History
|y To 1500.
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650 |
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0 |
|a Drama
|x Technique.
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650 |
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0 |
|a Soliloquy.
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650 |
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|a Monologue.
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650 |
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6 |
|a Soliloque.
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|a Monologue.
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650 |
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6 |
|a Théâtre (Genre littéraire)
|x Technique.
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650 |
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6 |
|a Théâtre anglais
|y 16e siècle
|x Histoire et critique.
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650 |
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6 |
|a Théâtre anglais
|y 17e siècle
|x Histoire et critique.
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650 |
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6 |
|a Mystères et miracles anglais
|x Histoire et critique.
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650 |
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6 |
|a Théâtre
|x Publics
|z Angleterre
|x Histoire
|y 16e siècle.
|
650 |
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6 |
|a Théâtre
|x Publics
|z Angleterre
|x Histoire
|y 17e siècle.
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650 |
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|a DRAMA
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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|a LITERARY CRITICISM
|x Drama.
|2 bisacsh
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7 |
|a Monologue
|2 fast
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650 |
|
7 |
|a Theater audiences
|2 fast
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650 |
|
7 |
|a Technique
|2 fast
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650 |
|
7 |
|a Mysteries and miracle-plays, English
|2 fast
|
650 |
|
7 |
|a Drama
|x Technique
|2 fast
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650 |
|
7 |
|a English drama
|2 fast
|
650 |
|
7 |
|a English drama
|x Early modern and Elizabethan
|2 fast
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650 |
|
7 |
|a Soliloquy
|2 fast
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651 |
|
7 |
|a England
|2 fast
|1 https://id.oclc.org/worldcat/entity/E39PBJpYDdYvBpjXV6WpybK68C
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650 |
|
7 |
|a Publikum
|2 gnd
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651 |
|
7 |
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|2 gnd
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|a Theater
|2 gnd
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650 |
|
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|a Drama
|2 gnd
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650 |
0 |
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|a Geschichte 1400-1616.
|2 swd
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|a Englisch.
|2 swd
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648 |
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|a To 1699
|2 fast
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|a Electronic books.
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|a History
|2 fast
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|a Criticism, interpretation, etc.
|2 fast
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758 |
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|i has work:
|a Stages and playgoers (Text)
|1 https://id.oclc.org/worldcat/entity/E39PCGRFktWjYJTTDvmjJTwGMd
|4 https://id.oclc.org/worldcat/ontology/hasWork
|
776 |
0 |
8 |
|i Print version:
|a Hill, Janet, 1943-
|t Stages and playgoers.
|d Montreal ; Ithaca [NY] : McGill-Queen's University Press, ©2002
|w (DLC) 2004271490
|
856 |
4 |
0 |
|u https://ebookcentral.uam.elogim.com/lib/uam-ebooks/detail.action?docID=3331297
|z Texto completo
|
936 |
|
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|a BATCHLOAD
|
938 |
|
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|a Canadian Electronic Library
|b CELB
|n 10135261
|
938 |
|
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|n EBL3331297
|
938 |
|
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|b EBRY
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938 |
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|a Internet Archive
|b INAR
|n stagesplaygoersf0000hill
|
994 |
|
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|a 92
|b IZTAP
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