Race and time : American women's poetics from antislavery to racial modernity /

Race and Time urges our attention to women's poetry in considering the cultural history of race. Building on close readings of well known and less familiar poets-including Elizabeth Margaret Chandler, Sarah Louisa Forten, Hannah Flagg Gould, Frances Ellen Watkins Harper, Sarah Piatt, Mary Eliza...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Gray, Janet (Women's studies professor)
Format: Électronique eBook
Langue:Inglés
Publié: Iowa City : University of Iowa Press, ©2004.
Collection:Book collections on Project MUSE.
Sujets:
University of South Alabama
1800-1899
American poetry > Women authors > History and criticism.
Race in literature.
Literature and history > United States > History > 19th century.
Women and literature > United States > History > 19th century.
American poetry > 19th century > History and criticism.
Antislavery movements in literature.
African Americans in literature.
Race relations in literature.
Slavery in literature.
Race dans la littérature.
Littérature et histoire > États-Unis > Histoire > 19e siècle.
Femmes et littérature > États-Unis > Histoire > 19e siècle.
Poésie américaine > 19e siècle > Histoire et critique.
Mouvements antiesclavagistes dans la littérature.
Noirs américains dans la littérature.
Relations raciales dans la littérature.
Esclavage dans la littérature.
LITERARY CRITICISM > Poetry.
LITERARY CRITICISM > Women Authors.
African Americans in literature
American poetry
American poetry > Women authors
Antislavery movements in literature
Literature and history
Race in literature
Race relations in literature
Slavery in literature
Women and literature
Ethnische Beziehungen > Motiv
Ethnizität > Motiv
Frauenlyrik
Sklaverei > Motiv
Vrouwelijke auteurs.
Gedichten.
Amerikaans.
Abolitionisme.
Rassenbeziehung (Motiv)
Geschichte 1800-1900.
United States
USA
Criticism, interpretation, etc.
History
Accès en ligne:Texto completo
Table des matières:
  • Acknowledgments; INTRODUCTION; 1. Wrappings: A Methodological Introduction; 2. Contesting the Pearl: Whiteness, Blackness, and the Possessionof American Poetry2; II ANTEBELLUM; 3. "Skins May Differ": Women's Republicanism and the Poeticsof Abolitionism; 4. The Mummy Returns: Humor, Kinship, and the Bindings of Print; III POSTBELLUM; 5. Looking in the Glass: Sarah Piatt's Poetics of Play and Loss; 6. We Women Radicals: Frances Harper's Poetics of Racial Formation; 7. What One Is Not Was: Mary Eliza Tucker Lambert's Poetics of Self-Reconstruction.

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