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Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious /

The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical lang...

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Bibliographic Details
Call Number:Libro Electrónico
Main Author: Antokoletz, Elliott
Other Authors: Antokoletz, Juana Canabal
Format: Electronic eBook
Language:Inglés
Published: Oxford ; New York : Oxford University Press, 2004.
Subjects:
Online Access:Texto completo