Musical symbolism in the operas of Debussy and Bartók : trauma, gender, and the unfolding of the unconscious /
The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical lang...
Call Number: | Libro Electrónico |
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Format: | Electronic eBook |
Language: | Inglés |
Published: |
Oxford ; New York :
Oxford University Press,
2004.
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Online Access: | Texto completo |