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John Ford's stagecoach /
Stagecoach is one of the classics of Hollywood cinema. Made in 1939, it revitalized the Western genre, served as a milestone in John Ford's career, and made John Wayne a star. This volume offers a rich overview of the film in essays by six leading film critics. Approaching Stagecoach from a var...
| Clasificación: | Libro Electrónico |
|---|---|
| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Cambridge ; New York :
Cambridge University Press,
2003.
|
| Colección: | Cambridge film handbooks series.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 245 | 0 | 0 | |a John Ford's stagecoach / |c edited by Barry Keith Grant. |
| 264 | 1 | |a Cambridge ; |a New York : |b Cambridge University Press, |c 2003. | |
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| 504 | |a Filmography: pages 185-232. | ||
| 504 | |a Includes bibliographical references (pages 233-237) and index. | ||
| 505 | 0 | 0 | |t Spokes in the wheels / |r Barry Keith Grant -- |t Stagecoach and Hollywood's A-western renaissance / |r Thomas Schatz -- |t "Powered by a ford"?: Dudley Nichols, authorship, and cultural ethos in Stagecoach / |r Charles J. Maland -- |t That past, this present: historicizing John Ford, 1939 / |r Leland Poague -- |g "A |t little bit savage": Stagecoach and racial representation / |r J.P. Telotte -- |t "Be a proud, glorified dreg": class, gender, and frontier democracy in Stagecoach / |r Gaylyn Studlar -- |t Stagecoach and the quest for selfhood / |r William Rothman. |
| 588 | 0 | |a Print version record. | |
| 520 | |a Stagecoach is one of the classics of Hollywood cinema. Made in 1939, it revitalized the Western genre, served as a milestone in John Ford's career, and made John Wayne a star. This volume offers a rich overview of the film in essays by six leading film critics. Approaching Stagecoach from a variety of critical perspectives, they place the film within the contexts of authorship, genre, American history and culture. Also examined are the film's commentary on race, class, gender and democracy, while remaining attentive to the film's artistry. | ||
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