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Early musical borrowing /
This collection of essays examines the common compositional practice of borrowing or imitation in fifteenth-and sixteenth-century music.
| Cote: | Libro Electrónico |
|---|---|
| Autres auteurs: | |
| Format: | Électronique eBook |
| Langue: | Inglés |
| Publié: |
New York :
Routledge,
2004.
|
| Collection: | Criticism and analysis of early music.
|
| Sujets: | |
| Accès en ligne: | Texto completo |
Table des matières:
- Cultural context for the chanson mass / M. Jennifer Bloxam
- Ockeghem and intertextuality : a composer interprets himself / Murray Steib
- The illusion of allusion / Jenny Hodgson
- Interpreting and dating Josquin's Missa Hercules dux ferrariae / Christopher Reynolds
- Habsburg-Burgundian manuscripts, borrowed material, and the practice of naming / Honey Meconi
- Aspects of musical borrowing in the polyphonic Missa de feria of the fifteenth and sixteenth centuries / Andrew H. Weaver
- Mid-sixteenth-century chanson masses : a kaleidoscopic process / Cathy Ann Elias
- Melodic citation in the sixteenth-century motet / Michele Fromson.