Cinema and spectatorship /

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Cinema and Spectatorship is the first book to focus entirely on the history and role of the spectator in contemporary film studies. While 1970s film theory insisted on a distinction betweeen the cinematic subject and film-goers, Judith Mayne suggests that a very real friction between "subjects&...

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Détails bibliographiques
Cote:Libro Electrónico
Auteur principal: Mayne, Judith
Format: Électronique eBook
Langue:Inglés
Publié: London ; New York : Routledge, 1993.
Collection:Sightlines (London, England)
Sujets:
Motion picture audiences.
Film criticism.
Cinéma > Publics.
Critique cinématographique.
PERFORMING ARTS > Film & Video > History & Criticism.
Film criticism
Motion picture audiences
Films.
Publiek.
Receptie.
Cinema > Films (Motion pictures) > Audiences
Accès en ligne:Texto completo
Table des matières:
  • Chapter INTRODUCTION
  • part Part I THEORIES OF SPECTATORSHIP
  • chapter 1 THE SUBJECT OF SPECTATORSHIP
  • chapter 2 SPECTATORSHIP AS INSTITUTION
  • chapter 3 SPECTATORSHIP RECONSIDERED
  • chapter 4 PARADOXES OF SPECTATORSHIP
  • part Part II READINGS OF SPECTATORSHIP
  • chapter 5 TEXTUAL ANALYSIS AND PORTRAITS OF SPECTATORSHIP
  • chapter 6 STAR-GAZING
  • chapter 7 WHITE SPECTATORSHIP AND GENRE-MIXING
  • chapter 8 THE CRITICAL AUDIENCE.

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