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Disiecta membra musicae : studies in musical fragmentology /

Although fragments from music manuscripts have occupied a place of considerable importance since the very early days of modern musicology, a collective, up-to-date, and comprehensive discussion of the various techniques and approaches for their study was lacking. On-line resources have also become i...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Otros Autores: Varelli, Giovanni (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berlin ; Boston : De Gruyter, [2020]
Colección:Studies in manuscript cultures ; v. 21.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Overview
  • Polyphonic Fragments: Destruction, Recovery, Reconstruction
  • Models
  • Processional Chants in the Early Medieval Period: The Lesson of Fragments
  • Some Medieval Relics of Saints' Plainchant Offices
  • Trails
  • Music Fragments from Slovenia: Towards a Reconstruction of the Medieval Plainchant Manuscript Production
  • Polyphonic Music of the Fourteenth Century in Aragon: Reassessing a Panorama of Fragmentary Sources
  • Fragments of Local Polyphony in Late Medieval Central Europe: Towards a Semiotic Interpretation of Musical Sources
  • Receivers
  • Make Do and Mend: Reworking Liturgical Parchment Manuscripts in Post-Reformation Sweden
  • The Aesthetics of Fragments: Reading Pastedowns in Context or, Late Medieval Bookbinders, Readers, and Their Choices
  • Representations
  • A Collection of Fragments, or a Fragment of a Collection? The Musical Appendix of A-Wn Cod. 5094
  • The Unexpected Song: An Early Italian Vernacular Poem, a Neumatic Notation, and How to Detect Their Interrelationships in the Ravenna Charter
  • Processes
  • Fragmenta Manuscriptorum Musicalium Hungariae Mediaevalis: From Traditional Methodologies Towards a Digital Corpus
  • Restoration, Reconstruction, and Revisionism: Altering Our Virtual Perception of Damaged Manuscripts Index of Manuscripts and Fragments
  • Index of Chants and Compositions
  • General Index.