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Frame by frame : a materialist aesthetics of animated cartoons /

For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-int...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Frank, Hannah, 1984-2017 (Autor)
Otros Autores: Morgan, Daniel, 1977- (Editor ), Gunning, Tom, 1949- (writer of foreword.)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Oakland, California : University of California Press, [2019]
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Frank, Hannah,  |d 1984-2017,  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjvftbCXWxCCFQQ9Xhm9j3 
245 1 0 |a Frame by frame :  |b a materialist aesthetics of animated cartoons /  |c Hannah Frank ; edited and with an introduction by Daniel Morgan ; foreword by Tom Gunning. 
264 1 |a Oakland, California :  |b University of California Press,  |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource (li, 222 pages) :  |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
347 |a text file 
504 |a Includes bibliographical references and index. 
520 |a For most of the twentieth century, the making of animated cartoons was mechanized and standardized to allow for high-volume production: thousands of drawings were inked and painted onto individual transparent celluloid sheets (called "cels") and then photographed in succession, a labor-intensive process that was divided across scores of artists and technicians, most of them anonymous. In order to understand how the industrial mode of production influenced the medium's visual style, this book regards each frame of a given animated cartoon as a historical document in its own right. This new consideration of the materiality of the medium analyzes cartoons frame by frame to expose hitherto unseen qualities of the image. The book covers the different technologies of reproduction involved in this process, from photography to xerography, as well as the idiosyncrasies of the image--from abstract imagery to mistakes in reproduction--that can be seen only when the film is halted. What emerges is both a new methodology for thinking about animation, the idea of frame-by-frame analysis, and a highly original account of an art formed on the assembly line 
588 0 |a Electronic version of record (viewed on June 30th, 2020). 
505 0 0 |t Frontmatter --  |t Contents --  |t List of Illustrations --  |t Foreword : Hannah Frank's Pause --  |t Editor's Introduction --  |t Acknowledgments --  |t Introduction: Looking at Labor --  |t 1. Animation and Montage; or, Photographic Records of Documents --  |t 2. A View of the World: Toward a Photographic Theory of Cel Animation --  |t 3. Pars Pro Toto: Character Animation and the Work of the Anonymous Artist --  |t 4. The Multiplication of Traces: Xerographic Reproduction and One Hundred and One Dalmatians --  |t Conclusion: The Labor of Looking --  |t Notes --  |t Bibliography --  |t Index 
546 |a English. 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 0 |a Animated films  |x History and criticism. 
650 0 |a Motion pictures  |x Aesthetics. 
650 6 |a Cinéma  |x Esthétique. 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Media studies.  |2 bicssc 
650 7 |a Animated films  |2 fast  |0 (OCoLC)fst00809611 
650 7 |a Motion pictures  |x Aesthetics  |2 fast  |0 (OCoLC)fst01027288 
655 0 4 |b Electronic books. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
700 1 |a Morgan, Daniel,  |d 1977-  |e editor,  |e writer of introduction.  |1 https://id.oclc.org/worldcat/entity/E39PCjyHHMJcd6MBryXYGbTgGb 
700 1 |a Gunning, Tom,  |d 1949-  |e writer of foreword.  |1 https://id.oclc.org/worldcat/entity/E39PCjMkkXg9y6MVxDVdqBrT9C 
758 |i has work:  |a Frame by frame (Text)  |1 https://id.oclc.org/worldcat/entity/E39PCGKy3KrCCpVcHkY3x48q6X  |4 https://id.oclc.org/worldcat/ontology/hasWork 
776 0 8 |i Print version:  |z 9780520303621 
856 4 0 |u https://www.degruyter.com/openurl?genre=book&isbn=9780520972773  |z Texto completo 
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