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Because of You: Understanding Second-Person Storytelling /

Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Iliopoulou, Evgenia, 1986- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bielefeld : transcript-Verlag, [2019]
Colección:Lettre Ser.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Iliopoulou, Evgenia,  |d 1986-  |e author.  |1 https://id.oclc.org/worldcat/entity/E39PCjBmrrYPcrhT8QBvHPTQG3 
245 1 0 |a Because of You: Understanding Second-Person Storytelling /  |c Evgenia Iliopoulou. 
264 1 |a Bielefeld :  |b transcript-Verlag,  |c [2019] 
264 4 |c ©2019 
300 |a 1 online resource. 
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490 1 |a Lettre 
505 0 0 |t Frontmatter --  |t Preface --  |t Table of Contents --  |t Part 1 Introduction --  |t Prologue --  |t The Second-Person Enigma --  |t Theory --  |t Person --  |t Pronoun --  |t The Rhetoric of the Second Person --  |t Part 2 Close Reading --  |t 2.1 Christa Wolf's Kindheitsmuster --  |t 2.2 Michel Butor's La Modification --  |t 2.3 George Perec's Un homme qui dort --  |t 2.4 Ilse Aichinger's Spiegelgeschichte --  |t Part 3 Assessment --  |t Overview --  |t Methodology --  |t Observations Regarding the First Part --  |t Observations Regarding the Second Part --  |t Impact and Continuity --  |t Limitations of This Study --  |t List of Works Cited 
520 |a Second-person storytelling is a continually present and diverse technique in the history of literature that appears only once in the oeuvre of an author. Based on key narratives of the post-war period, Evgenia Iliopoulou approaches the phenomenon in an inductive way, starting out from the essentials of grammar and rhetoric, and aims to improve the general understanding of second-person narrative within literature. In its various forms and typologies, the second person amplifies and expands the limits of representation, thus remaining a narrative enigma: a small narrative gesture - with major narrative impact. 
546 |a In English. 
588 0 |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Apr 2019). 
506 0 |a Open Access  |5 EbpS 
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540 |a Restricted: Printing from this resource is governed by The Legal Deposit Libraries (Non-Print Works) Regulations (UK) and UK copyright law currently in force.  |5 WlAbNL 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
650 0 |a Second person narrative. 
650 4 |a French Literature. 
650 4 |a General Literature Studies. 
650 4 |a German Literature. 
650 4 |a Language. 
650 4 |a Literary Studies. 
650 4 |a Literature. 
650 4 |a Narratology. 
650 4 |a Pronouns. 
650 4 |a Theory of Literature. 
650 6 |a Récits à la deuxième personne. 
650 7 |a Literary studies: general.  |2 bicssc 
650 7 |a LITERARY CRITICISM / General.  |2 bisacsh 
650 7 |a Second person narrative  |2 fast 
653 |a General Literature Studies. 
653 |a Narratology. 
653 |a Theory of Literature. 
655 7 |a dissertations.  |2 aat 
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655 7 |a Thèses et écrits académiques.  |2 rvmgf 
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