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Cinema, democracy and perfectionism : Joshua Foa Dienstag in dialogue /

In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing sceptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrate...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autor principal: Dienstag, Joshua Foa, 1965- (Autor, Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Manchester : Manchester University Press, 2016.
Colección:Critical powers.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Dienstag, Joshua Foa,  |d 1965-  |e author,  |e editor.  |1 https://id.oclc.org/worldcat/entity/E39PCjCcBHq3qKxgdDpBW6QJtC 
245 1 0 |a Cinema, democracy and perfectionism :  |b Joshua Foa Dienstag in dialogue /  |c edited by Joshua Foa Dienstag. 
264 1 |a Manchester :  |b Manchester University Press,  |c 2016. 
300 |a 1 electronic resource (xii, 218 pages). 
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504 |a Includes bibliographical references (pages 206-211) and index. 
588 |a Description based on print version record; resource not viewed. 
505 0 |a I. Lead essay -- 1. The tragedy of remarriage: letter to M. Cavell about cinema (a remake) / Joshua Foa Dienstag -- II. Responses -- 2. Emancipated perfectionism or, In praise of dreaming / Clare Woodford -- 3. The phenomenology of the political: a reply from Saturday Night to Mr. Dienstag / Tracy B. Strong -- 4. The tragedy of remarriage in the Golden Age of television / Margaret Kohn -- 5. "That dangerous contention": a cinematic response to pessimism / Davide Panagia -- 6. Letter to Mr. Dienstag / Thomas Dumm -- III. Reply -- 7. A letter to my critics / Joshua Foa Dienstag -- Bibliography -- Index. 
520 3 |a In the lead essay for this volume, Joshua Foa Dienstag engages in a critical encounter with the work of Stanley Cavell on cinema, focusing sceptical attention on the claims made for the contribution of cinema to the ethical character of democratic life. In this debate, Dienstag mirrors the celebrated dialogue between Rousseau and Jean D'Alembert on theatre, casting Cavell as D'Alembert in his view that we can learn to become better citizens and better people by observing a staged representation of human life, with Dienstag arguing, after Rousseau, that this misunderstands the relationship between original and copy, even more so in the medium of film than in the medium of theatre. The argument is developed further by essays from Clare Woodford, Tracy B. Strong, Margaret Kohn, Davide Panagia and Thomas Dunn, to which Dienstag responds in the concluding chapter, 'A reply to my critics'. 
546 |a In English. 
590 |a De Gruyter Online  |b De Gruyter Open Access eBooks 
600 1 0 |a Cavell, Stanley,  |d 1926-2018. 
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650 0 |a Motion pictures  |x Philosophy. 
650 0 |a Motion pictures  |x Plots, themes, etc. 
650 0 |a Motion pictures  |x Political aspects. 
650 6 |a Cinéma  |x Intrigues, thèmes, etc. 
650 6 |a Cinéma  |x Philosophie. 
650 6 |a Cinéma  |x Aspect politique. 
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650 7 |a Philosophy.  |2 bicssc 
650 7 |a Ethics and moral philosophy.  |2 bicssc 
650 7 |a The arts.  |2 bicssc 
650 7 |a Film, TV and radio.  |2 bicssc 
650 7 |a Films, cinema.  |2 bicssc 
650 7 |a Film theory and criticism.  |2 bicssc 
650 7 |a Society and social sciences Society and social sciences.  |2 bicssc 
650 7 |a Politics and government.  |2 bicssc 
650 7 |a Political science and theory.  |2 bicssc 
650 7 |a Performing Arts  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 7 |a Philosophy  |x Ethics & Moral Philosophy.  |2 bisacsh 
650 7 |a Political Science  |x History & Theory.  |2 bisacsh 
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650 7 |a Motion pictures  |x Plots, themes, etc.  |2 fast 
650 7 |a Motion pictures  |x Political aspects  |2 fast 
650 7 |a Demokratie  |2 gnd 
650 7 |a Film  |2 gnd 
653 |a Cinema 
653 |a Stanley Cavell 
653 |a ethics 
653 |a political theory 
653 |a democracy 
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