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Humour and Irony in Dutch Post-war Fiction Film.
If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, to...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Formato: | Electrónico Software eBook |
| Idioma: | Inglés |
| Publicado: |
Amsterdam University Press
2016.
©2016 |
| Colección: | Framing film (Amsterdam, Netherlands)
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Verstraten, Peter. |4 aut | |
| 245 | 1 | 0 | |a Humour and Irony in Dutch Post-war Fiction Film. |
| 260 | |b Amsterdam University Press |c 2016. | ||
| 264 | 4 | |c ©2016 | |
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| 520 | |a If Dutch cinema is examined in academic studies, the focus is usually on pre-war films or on documentaries, but the post-war fiction film has been sporadically addressed. Many popular box-office successes have been steeped in jokes on parochial conflicts, vulgar behavior and/or on sexual display, towards which Dutch people have often felt ambivalent. At the same time, something like a 'Hollandse school', a term first coined in the 1980s, has manifested itself more firmly, with the work of Alex van Warmerdam, pervaded in deadpan irony as its biggest eye-catcher. Using seminal theories of humor and irony as an angle, this study scrutinizes a great number of Dutch films on the basis of categories such as low-class comedies; neurotic romances; deliberate camp; cosmic irony, or grotesque satire. Hence, Humour and Irony in Dutch Post-war Fiction Film makes surprising connections between films from various decades: Flodder and New Kids Turbo; Spetters and Simon; Rent a Friend and Ober; De verloedering van de Swieps and Borgman; Black Out and Plan C. This title was made Open Access by libraries from around the world through Knowledge Unlatched. | ||
| 546 | |a English. | ||
| 504 | |a Includes bibliographical references and index. | ||
| 505 | 0 | 0 | |t Frontmatter -- |t TABLE OF CONTENTS -- |t Preface -- |t Introduction -- |t 1. Low-Class Comedies -- |t 2. Multicultural Comedies -- |t 3. From 'Kind-hearted' Comedies to Neurotic Romances -- |t 4. Deliberate Camp -- |t 5. Humour as an Aftermath Effect -- |t 6. Homosocial Jokes -- |t 7. From Ludic Humour to Cosmic Irony -- |t 8. From Insubordinate Playfulness to Subversive Irony -- |t 9. From Grotesque Caricature to Grotesque Satire -- |t Conclusion -- |t Notes -- |t Bibliography -- |t Filmography -- |t Photo Credits -- |t Index of Concepts -- |t Index of Titles -- |t Index of Names. |
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| 650 | 6 | |a Cinéma. | |
| 650 | 7 | |a Film theory and criticism. |2 bicssc | |
| 650 | 7 | |a Film, TV and radio. |2 bicssc | |
| 650 | 7 | |a Films, cinema. |2 bicssc | |
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| 653 | |a Film Theory and Criticism | ||
| 653 | |a Media and Communications | ||
| 730 | 0 | |a Directory of open access books. | |
| 776 | 0 | 8 | |i Print version: |t Humour and Irony in Dutch Post-war Fiction Film. |d Amsterdam. |b Amsterdam University Press |c c2016 |z 9789089649430 |
| 830 | 0 | |a Framing film (Amsterdam, Netherlands) | |
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