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Cartas para Angola /
Brazil and Angola, while on either side of the Atlantic Ocean, have the same language, a common colonial past and many shared stories. In this film, correspondence is exchanged between these two places--some people are longtime friends, others have never met. Their stories intertwine and tell about...
| Formato: | Electrónico Video |
|---|---|
| Idioma: | Inglés Portugués |
| Publicado: |
[São Paulo, Brazil] :
Laboratório Cisco,
[2012]
|
| Temas: | |
| Acceso en línea: | Ver en línea |
MARC
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| 049 | |a UAMI | ||
| 245 | 0 | 0 | |a Cartas para Angola / |c direção, Coraci Ruiz e Julio Matos. |
| 246 | 1 | |i English title: |a Letters to Angola | |
| 264 | 1 | |a [São Paulo, Brazil] : |b Laboratório Cisco, |c [2012] | |
| 264 | 2 | |a [São Paulo, Brazil] : |b [Utopia Docs] | |
| 300 | |a 1 online resource (1 video file (79 min.)) : |b sound, color. | ||
| 336 | |a two-dimensional moving image |b tdi |2 rdacontent | ||
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| 380 | |a Documentary films |2 lcgft | ||
| 511 | 0 | |a Sizaltina Cutaia, Fernanda Fernandes, Allan da Rosa, Lukeny Bamba Fortunato, Carlos Serrano, Jacinto Fortunato, Alessandra Ribeiro, Augusto Van Dunen. | |
| 508 | |a Cinematographers, Coraci Ruiz, Julio Matos ; editor, Manoela Ziggiatti ; music, Renata Rosa, Hugo Lins. | ||
| 520 | |a Brazil and Angola, while on either side of the Atlantic Ocean, have the same language, a common colonial past and many shared stories. In this film, correspondence is exchanged between these two places--some people are longtime friends, others have never met. Their stories intertwine and tell about migration, nostalgia, belonging, war, prejudice, exile and distance. The search for identity and flow of memory are driven by the line of affection that binds the seven pairs of speakers presented in this documentary, people whose life stories are traced between Brazil, Angola and Portugal. | ||
| 546 | |a In Portuguese; with subtitles in English. | ||
| 586 | 8 | |a Best Documentary at Recife Ethnographic Film Festival | |
| 586 | 8 | |a Best Documentary at Luanda International Film Festival | |
| 588 | 0 | |a Online resource; title from opening/closing credits (Digitalia Film Library, viewed May 12, 2021). | |
| 590 | |a Digitalia, Inc |b Digitalia Film Library | ||
| 651 | 0 | |a Angola |x Social life and customs. | |
| 651 | 0 | |a Brazil |x Social life and customs. | |
| 651 | 0 | |a Portugal |x Colonies |x Social life and customs. | |
| 650 | 0 | |a International correspondence |z Angola. | |
| 650 | 0 | |a International correspondence |z Brazil. | |
| 650 | 0 | |a International correspondence |z Portugal. | |
| 651 | 6 | |a Brésil |x Mœurs et coutumes. | |
| 651 | 6 | |a Portugal |x Colonies |x Mœurs et coutumes. | |
| 650 | 7 | |a International correspondence. |2 fast |0 (OCoLC)fst00976873 | |
| 650 | 7 | |a Manners and customs. |2 fast |0 (OCoLC)fst01007815 | |
| 650 | 7 | |a Portuguese colonies. |2 fast |0 (OCoLC)fst01930859 | |
| 651 | 7 | |a Angola. |2 fast |0 (OCoLC)fst01208401 | |
| 651 | 7 | |a Brazil. |2 fast |0 (OCoLC)fst01206830 | |
| 651 | 7 | |a Portugal. |2 fast |0 (OCoLC)fst01208476 | |
| 655 | 0 | |a Streaming video. | |
| 655 | 2 | |a Documentaries and Factual Films | |
| 655 | 2 | |a Webcast | |
| 655 | 7 | |a Documentary films. |2 fast |0 (OCoLC)fst01710390 | |
| 655 | 7 | |a Internet videos. |2 fast |0 (OCoLC)fst01750214 | |
| 655 | 7 | |a Nonfiction films. |2 fast |0 (OCoLC)fst01710269 | |
| 655 | 7 | |a Documentary films. |2 lcgft | |
| 655 | 7 | |a Nonfiction films. |2 lcgft | |
| 655 | 7 | |a Internet videos. |2 lcgft | |
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| 655 | 7 | |a Films autres que de fiction. |2 rvmgf | |
| 655 | 7 | |a Vidéos sur Internet. |2 rvmgf | |
| 700 | 1 | |a Ruiz, Coraci, |e film director. | |
| 700 | 1 | |a Matos, Julio, |e film director. | |
| 710 | 2 | |a Laboratório Cisco (Group of filmmakers), |e production company. | |
| 710 | 2 | |a Utopic Documentaries (Firm), |e film distributor. | |
| 856 | 4 | 0 | |u https://digitaliafilmlibrary.uam.elogim.com/film/1581 |z Ver en línea |
| 938 | |a Digitalia Publishing |b DGIT |n DIGFLMLIB1343 | ||
| 994 | |a 92 |b IZTAP | ||