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Endless Intervals : Cinema, Psychology, and Semiotechnics around 1900 /
"Recovering largely forgotten and untranslated texts, Endless Intervals makes the case that cinema, rather than being a technology assaulting the psyche, is in fact the technology that produced the modern psyche. It considers the ways machines can create meaning, offering a fascinating theory o...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
[2022]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Kirkwood, Jeffrey West, |e author. | |
| 245 | 1 | 0 | |a Endless Intervals : |b Cinema, Psychology, and Semiotechnics around 1900 / |c Jeffrey West Kirkwood. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c [2022] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2022 | |
| 264 | 4 | |c ©[2022] | |
| 300 | |a 1 online resource (256 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction. Signifying Nothings -- 1. Engineering the Interval -- 2. The Semiotechnical Subject -- 3. Discrete Reading -- 4. The Technics of Bildung -- 5. The Cinema of Afflictions -- Coda. Where the Intervals End | |
| 520 | |a "Recovering largely forgotten and untranslated texts, Endless Intervals makes the case that cinema, rather than being a technology assaulting the psyche, is in fact the technology that produced the modern psyche. It considers the ways machines can create meaning, offering a fascinating theory of how the discontinuous intervals of soulless mechanisms ultimately produced a rich continuous experience of inner life"-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 7 | |a Technology |x Philosophy. |2 fast |0 (OCoLC)fst01145171 | |
| 650 | 7 | |a Motion pictures |x Technological innovations. |2 fast |0 (OCoLC)fst01027400 | |
| 650 | 7 | |a Motion pictures |x Psychological aspects. |2 fast |0 (OCoLC)fst01027364 | |
| 650 | 7 | |a Motion pictures |x Philosophy. |2 fast |0 (OCoLC)fst01027348 | |
| 650 | 7 | |a Machinery |x Philosophy. |2 fast |0 (OCoLC)fst01005001 | |
| 650 | 0 | |a Motion pictures |x Technological innovations. | |
| 650 | 0 | |a Motion pictures |x Psychological aspects. | |
| 650 | 0 | |a Machinery |x Philosophy. | |
| 650 | 0 | |a Technology |x Philosophy. | |
| 650 | 0 | |a Motion pictures |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/99998/ |
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| 945 | |a Project MUSE - 2022 Film, Theater and Dance | ||
| 945 | |a Project MUSE - 2022 Complete | ||