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220101s2022 nju o 00 0 eng d |
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|a 9780691232416
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|z 9780691166384
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|a (OCoLC)1290486064
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|a MdBmJHUP
|c MdBmJHUP
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|a Alsdorf, Bridget,
|e author.
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|a Gawkers :
|b Art and Audience in Late Nineteenth-Century France /
|c Bridget Alsdorf.
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|a Princeton, New Jersey :
|b Princeton University Press,
|c [2022]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2022
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|c ©[2022]
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|a 1 online resource:
|b illustrations (some color)
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|a text
|b txt
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|a computer
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|a online resource
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|a ‡a Introduction -- Gawking in print -- Badaud / Flâneur -- Crowds -- Accident -- Faits divers -- The murderous life -- Faits divers -- Execution -- Naïveté -- Audience -- World stage -- Theater / Salon / Sideshow -- Apathy -- Volatility -- Theater of the people -- Death by audience -- Street theater -- Theater of the everyday -- Triptychs -- Gawker cinema -- Bird charmers -- Attraction -- Painters and posters -- At the fair -- At the Bon Marché -- Shop windows -- Photography and Copyright Credits.
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|a Bird Charmers (Lumiere, Vallotton) -- Chapter 4. Attraction -- Painters and Posters (Bonnard, Vallotton) -- At the Fair (Toulouse-Lautrec) -- At the Bon Marche (Vallotton) -- Shop Windows -- Conclusion -- Acknowledgments -- Notes -- Index -- Photography and Copyright Credits
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|a How the urban spectator became the archetypal modern viewer and a central subject in late nineteenth-century French artGawkers explores how artists and writers in late nineteenth-century Paris represented the seductions, horrors, and banalities of street life through the eyes of curious viewers known as badauds. In contrast to the singular and aloof bourgeois flâneur, badauds were passive, collective, instinctive, and highly impressionable. Above all, they were visual, captivated by the sights of everyday life. Beautifully illustrated and drawing on a wealth of new research, Gawkers excavates badauds as a subject of deep significance in late nineteenth-century French culture, as a motif in works of art, and as a conflicted model of the modern viewer.Bridget Alsdorf examines the work of painters, printmakers, and filmmakers who made badauds their artistic subject, including Félix Vallotton, Pierre Bonnard, Henri de Toulouse-Lautrec, Honoré Daumier, Edgar Degas, Jean-Léon Gérôme, Eugène Carrière, Charles Angrand, and Auguste and Louise Lumière. From morally and intellectually empty to sensitive, empathetic, and humane, the gawkers these artists portrayed cut across social categories. They invite the viewer's identification, even as they appear to threaten social responsibility and the integrity of art.Delving into the ubiquity of a figure that has largely eluded attention, idling on the margins of culture and current events, Gawkers traces the emergence of social and aesthetic problems that are still with us today.
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|a Description based on print version record.
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650 |
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|a Spectators in art.
|2 fast
|0 (OCoLC)fst01129052
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650 |
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|a Social distance.
|2 fast
|0 (OCoLC)fst01122432
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650 |
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|a Art, French
|x Themes, motives.
|2 fast
|0 (OCoLC)fst00816297
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650 |
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|a ART
|x History
|x Modern (late 19th Century to 1945)
|2 bisacsh
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650 |
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|a Art français
|y 19e siecle
|x Themes, motifs.
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650 |
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|a Spectateurs dans l'art.
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650 |
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|a Distance sociale.
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650 |
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|a Art, French
|y 19th century
|x Themes, motives.
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650 |
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|a Spectators in art.
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650 |
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|a Social distance.
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655 |
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7 |
|a Art criticism.
|2 lcgft
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655 |
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|a Art criticism.
|2 fast
|0 (OCoLC)fst02003312
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655 |
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/99798/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2022 Art and Architecture
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945 |
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|a Project MUSE - 2022 Complete
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