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Fantastic Cities : American Urban Spaces in Science Fiction, Fantasy, and Horror /

"Metropolis, Gotham City, Mega-City One, Panem's Capitol, the Sprawl, Caprica City-American (and Americanized) urban environments have always been a part of the fantastic imagination. Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror focuses on the American ci...

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Detalles Bibliográficos
Otros Autores: Brandt, Stefan L., 1976- (Editor ), Fuchs, Michael, 1981- (Editor ), Rabitsch, Stefan, 1983- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Jackson : University Press of Mississippi, [2022]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Fantastic Cities :   |b American Urban Spaces in Science Fiction, Fantasy, and Horror /   |c Stefan Rabitsch, Michael Fuchs, and Stefan L. Brandt. 
264 1 |a Jackson :  |b University Press of Mississippi,  |c [2022] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©[2022] 
300 |a 1 online resource (322 pages):   |b illustrations (some color) 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Cover -- FANTASTIC CITIES -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction -- Section I: Imagining Fantastic Cities -- Imagining Gotham: Hard Knowledge in a Soft City -- "Whither Mankind?" The Fantastic Meets the Frontier in The Phantom Empire -- Cities and Communities: The Urban Vision of Kim Stanley Robinson -- Section II: Picturing the End of the Urban World -- The Banality of the Apocalypse: Colson Whitehead's Necropolis and Mirthless Parody -- Cities of the Dead: Urban Vampires in Only Lovers Left Alive and A Girl Walks Home Alone at Night 
505 0 |a Confronting Race and Racism in the Post-Apocalyptic American City -- The Water Apocalypse: Utopian Desert Venice Cities and Arcologies in Southwestern Dystopian Fiction -- "It's Not Good Here Anymore": Nuclear Survival and New York City's Space in Kenny Scharf's Videos -- Section III: Freedom and Restrictions in the Fantastic City -- Sylvester Stallone and Urban Order in the 1980s and 1990s: Gendering the City in Demolition Man and Judge Dredd -- "We Speak Another Language Here": Samuel Delany's Dhalgren and the City of Folly 
505 0 |a Imagining Digital Cities: Freedom and (Non-)Human Agency in Representations of Virtual Realities -- Sleep Dealer -- or, Tijuana, Ciudad del Futuro -- Section IV: The City and Its Environment(s) -- Terraforming and the City -- Olympia, Wilderness, and Consumption in Laird Barron's Old Leech Cycle -- Ecological Plant-Based Urban Planning Makes Eleanor Cameron's The Wonderful Flight to the Mushroom Planet Real -- Bibliography -- Contributors 
520 |a "Metropolis, Gotham City, Mega-City One, Panem's Capitol, the Sprawl, Caprica City-American (and Americanized) urban environments have always been a part of the fantastic imagination. Fantastic Cities: American Urban Spaces in Science Fiction, Fantasy, and Horror focuses on the American city as a fantastic geography constrained neither by media nor rigid genre boundaries. Fantastic Cities builds on a mix of theoretical and methodological tools that are drawn from criticism of the fantastic, media studies, cultural studies, American studies, and urban studies. Contributors explore cultural media across many platforms such as Christopher Nolan's Dark Knight Trilogy, the Arkham Asylum video games, the 1935 movie serial The Phantom Empire, Kim Stanley Robinson's fiction, Colson Whitehead's novel Zone One, the vampire films Only Lovers Left Alive and A Girl Walks Home Alone at Night, Paolo Bacigalupi's novel The Water Knife, some of Kenny Scharf's videos, and Samuel Delany's classic Dhalgren. Together, the contributions in Fantastic Cities demonstrate that the fantastic is able to "real-ize" that which is normally confined to the abstract, metaphorical, and/or subjective. Consequently, both utopian aspirations for and dystopian anxieties about the American city become literalized in the fantastic city"--  |c Provided by publisher. 
588 |a Description based on print version record. 
650 7 |a Science fiction.  |2 fast  |0 (OCoLC)fst01108566 
650 7 |a Public spaces in literature.  |2 fast  |0 (OCoLC)fst01083063 
650 7 |a Horror tales.  |2 fast  |0 (OCoLC)fst00960387 
650 7 |a Future, The, in literature.  |2 fast  |0 (OCoLC)fst01899776 
650 7 |a Fantasy fiction.  |2 fast  |0 (OCoLC)fst00920710 
650 7 |a Cities and towns in literature.  |2 fast  |0 (OCoLC)fst00861865 
650 0 |a Future, The, in literature. 
650 0 |a Cities and towns in literature. 
650 0 |a Public spaces in literature. 
650 0 |a Fantasy fiction  |x History and criticism. 
650 0 |a Horror tales  |x History and criticism. 
650 0 |a Science fiction  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Brandt, Stefan L.,  |d 1976-  |e editor. 
700 1 |a Fuchs, Michael,  |d 1981-  |e editor. 
700 1 |a Rabitsch, Stefan,  |d 1983-  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/99546/ 
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945 |a Project MUSE - 2022 Literature 
945 |a Project MUSE - 2022 Complete