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Wonder Woman : New edition with full color illustrations /

William Marston was an unusual man--a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Com...

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Detalles Bibliográficos
Autor principal: Berlatsky, Noah (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: New Brunswick, NJ : Rutgers University Press, [2017]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Berlatsky, Noah,  |e author. 
245 1 0 |a Wonder Woman :   |b New edition with full color illustrations /   |c Noah Berlatsky. 
264 1 |a New Brunswick, NJ :  |b Rutgers University Press,  |c [2017] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©[2017] 
300 |a 1 online resource (264 pages):   |b 32 color illustrations. 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Comics Culture 
505 0 0 |t Frontmatter --  |t CONTENTS --  |t Acknowledgments --  |t INTRODUCTION --  |t Chapter One. The Pink Bondage Goo of Feminism --  |t Chapter Two. Castration in Paradise --  |t Chapter Three. Candy You Can Eat --  |t Conclusion. A Future without Wonder Woman --  |t Notes --  |t Works Cited --  |t Index 
520 |a William Marston was an unusual man--a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage. Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston's many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Woman comics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest. Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941-1948 reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television. 
546 |a In English. 
588 |a Description based on print version record. 
650 7 |a Women in literature.  |2 fast  |0 (OCoLC)fst01177912 
650 7 |a Feminism in literature.  |2 fast  |0 (OCoLC)fst00922752 
650 7 |a Comic books, strips, etc.  |2 fast  |0 (OCoLC)fst00869145 
650 7 |a Bondage (Sexual behavior) in literature.  |2 fast  |0 (OCoLC)fst01902590 
650 7 |a SOCIAL SCIENCE / General.  |2 bisacsh 
650 0 |a Women in literature. 
650 0 |a Feminism in literature. 
650 0 |a Comic books, strips, etc  |z United States. 
650 0 |a Bondage (Sexual behavior) in literature. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/98927/ 
945 |a Project MUSE - Custom Collection