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Global Perspectives on Amateur Film Histories and Cultures /

Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries.

Detalles Bibliográficos
Autor principal: Salazkina, Masha
Otros Autores: Fibla, Enrique
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Bloomington : Indiana University Press, 2021.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Global Perspectives on Amateur Film Histories and Cultures /  
264 1 |a Bloomington :  |b Indiana University Press,  |c 2021. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©2021. 
300 |a 1 online resource (348 pages). 
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500 |a Description based upon print version of record. 
505 0 |a Cover -- Title Page -- Cotents -- Acknowledgments -- Introduction: Global Perspectives on Amateur Film Histories and Cultures -- Part I. Medium Specificity and Expanded Media Ecologies -- 1. Understanding (Amateur) Cinema: Epistemology and Technology -- 2. Crossing the Amateur Line: The Lesson of Even-As You and I -- 3. "I Give You a Toast to the Pioneers!" The Movie MakerTen Best Video Competition 1982-1983 -- 4. From Insiders to Outsiders: Tracing Amateurism in Chinese Independent Documentary of the 1990s and the 2000s -- Part II. Institutions, Industry, and the State 
505 0 |a 5. Seeking Advice: A Political Economy of Israeli Commemorative Home Videos -- 6. Amateur Film in the Factory: Forms and Functions ofAmateur Cinema in Corporate Media Culture -- 7. The Ambitions of Amateur Film in Vichy France -- 8. On the Amateur Origins of Fernando Birri's Documentary School of Santa Fe -- Part III. Politics of Legitimization and Subversion -- 9 The Wind from the South: Experiences of Substandard Filmmaking in Galicia in the 1970s -- 10. Super 8 in Mexico 
505 0 |a 11. The Videogiornale: Social Movements and Amateur Media Technologies in Bologna between the Late 1980s and theEarly 1990s -- 12. "A Vital Human Place" for the Counterculture: Fifth Estate and Amateur Film Culture in Detroit, 1965-1967 -- 13. Ingvars Leitis's Subversive Ethnographic Documentaries,1975-1989: Cover Stories and National Representation in Soviet Latvia -- Part IV. Transnational Networks: Amateur Cinema Travels -- 14. Worldly Matters: Distributed Histories of TunisianAmateur Cinema and the Screening ofNontheatrical Film 
505 0 |a 15. Early International Super 8 Film Festivals: The Case of Caracas 1976-1980 -- 16. A Gift to Mother: "The Most Universally Appealing Kind of Film That Any Amateur Can Hope to Make" -- 17. Postcards from Yiddishland: Amateur Filmmaking and Vernacular Yiddish Culture -- Index 
520 |a Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries. 
588 |a Description based on print version record. 
650 7 |a Amateur films.  |2 fast  |0 (OCoLC)fst00806665 
650 0 |a Amateur films  |x History and criticism. 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Fibla, Enrique. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/98853/ 
945 |a Project MUSE - Custom Collection