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201219s2021 inu o 00 0 eng d |
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|a 9780253052049
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|z 9780253052032
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|a (OCoLC)1227395082
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|a MdBmJHUP
|c MdBmJHUP
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|a Salazkina, Masha.
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|a Global Perspectives on Amateur Film Histories and Cultures /
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|a Bloomington :
|b Indiana University Press,
|c 2021.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2022
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|c ©2021.
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|a 1 online resource (348 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a Description based upon print version of record.
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|a Cover -- Title Page -- Cotents -- Acknowledgments -- Introduction: Global Perspectives on Amateur Film Histories and Cultures -- Part I. Medium Specificity and Expanded Media Ecologies -- 1. Understanding (Amateur) Cinema: Epistemology and Technology -- 2. Crossing the Amateur Line: The Lesson of Even-As You and I -- 3. "I Give You a Toast to the Pioneers!" The Movie MakerTen Best Video Competition 1982-1983 -- 4. From Insiders to Outsiders: Tracing Amateurism in Chinese Independent Documentary of the 1990s and the 2000s -- Part II. Institutions, Industry, and the State
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|a 5. Seeking Advice: A Political Economy of Israeli Commemorative Home Videos -- 6. Amateur Film in the Factory: Forms and Functions ofAmateur Cinema in Corporate Media Culture -- 7. The Ambitions of Amateur Film in Vichy France -- 8. On the Amateur Origins of Fernando Birri's Documentary School of Santa Fe -- Part III. Politics of Legitimization and Subversion -- 9 The Wind from the South: Experiences of Substandard Filmmaking in Galicia in the 1970s -- 10. Super 8 in Mexico
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|a 11. The Videogiornale: Social Movements and Amateur Media Technologies in Bologna between the Late 1980s and theEarly 1990s -- 12. "A Vital Human Place" for the Counterculture: Fifth Estate and Amateur Film Culture in Detroit, 1965-1967 -- 13. Ingvars Leitis's Subversive Ethnographic Documentaries,1975-1989: Cover Stories and National Representation in Soviet Latvia -- Part IV. Transnational Networks: Amateur Cinema Travels -- 14. Worldly Matters: Distributed Histories of TunisianAmateur Cinema and the Screening ofNontheatrical Film
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|a 15. Early International Super 8 Film Festivals: The Case of Caracas 1976-1980 -- 16. A Gift to Mother: "The Most Universally Appealing Kind of Film That Any Amateur Can Hope to Make" -- 17. Postcards from Yiddishland: Amateur Filmmaking and Vernacular Yiddish Culture -- Index
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|a Together, these essays shed new light on alternative cinema in a wide range of cities and countries where amateur films thrive in the shadow of commercial and conventional film industries.
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|a Description based on print version record.
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650 |
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|a Amateur films.
|2 fast
|0 (OCoLC)fst00806665
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|a Amateur films
|x History and criticism.
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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|a Fibla, Enrique.
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/98853/
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|a Project MUSE - Custom Collection
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