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Intersecting Colors : Josef Albers and His Contemporaries /

Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuros...

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Detalles Bibliográficos
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Amherst, Massachusetts : Amherst College Press, [2015]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

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245 0 0 |a Intersecting Colors :   |b Josef Albers and His Contemporaries /   |c edited by Vanja Malloy. 
264 1 |a Amherst, Massachusetts :  |b Amherst College Press,  |c [2015] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2022 
264 4 |c ©[2015] 
300 |a 1 online resource:   |b color illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
500 |a Published in conjunction with the exhibition held at the Mead Art Museum, Amherst College, August 28, 2015-January 3, 2016. 
505 0 0 |t Foreword /  |r David E. Little --  |t Introduction /  |r Vanja Malloy --  |t A short history of Josef Albers's Interaction of color /  |r Brenda Danilowitz --  |t Explaining color in two 1963 publications /  |r Sarah Lowengard --  |t More than parallel lines: thoughts on Gestalt, Albers, and the Bauhaus /  |r Karen Koehler --  |t Juxtapositions and constellations: Albers and Op Art /  |r Jeffrey Saletnik --  |t Josef Albers and the science of seeing /  |r Susan R. Barry --  |g Contributors --  |g Exhibition checklist. 
506 0 |a Open Access  |f Unrestricted online access  |2 star 
520 3 |a Josef Albers (1888-1976) was an artist, teacher, and seminal thinker on the perception of color. A member of the Bauhaus who fled to the U.S. in 1933, his ideas about how the mind understands color influenced generations of students, inspired countless artists, and anticipated the findings of neuroscience in the latter half of the twentieth century. With contributions from the disciplines of art history, the intellectual and cultural significance of Gestalt psychology, and neuroscience, Intersecting Colors offers a timely reappraisal of the immense impact of Albers's thinking, writing, teaching, and art on generations of students. It shows the formative influence on his work of non-scientific approaches to color (notably the work of Johann Wolfgang von Goethe) and the emergence of Gestalt psychology in the first decades of the twentieth century. The work also shows how much of Albers's approach to color - dismissed in its day by a scientific approach to the study and taxonomy of color driven chiefly by industrial and commercial interests - ultimately anticipated what neuroscience now reveals about how we perceive this most fundamental element of our visual experience. Edited by Vanja Malloy, with contributions from Brenda Danilowitz, Sarah Lowengard, Karen Koehler, Jeffrey Saletnik, and Susan R. Barry. 
588 |a Description based on print version record. 
600 1 7 |a Albers, Josef.  |2 fast  |0 (OCoLC)fst00054775 
600 1 0 |a Albers, Josef  |v Exhibitions. 
600 1 0 |a Albers, Josef  |x Criticism and interpretation. 
655 7 |a Open access publications.  |2 local  |5 MA 
655 7 |a Exhibition catalogs.  |2 fast  |0 (OCoLC)fst01424028 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Albers, Josef,  |e artist. 
710 2 |a Mead Art Museum (Amherst College),  |e host institution. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/98627/