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Baroque Modernity : An Aesthetics of Theater /
Baroque Modernity will appeal to readers in a wide array of disciplines, including comparative literature, theater and performance, art and music history, intellectual history, and aesthetic theory.
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Baltimore :
Johns Hopkins University Press,
2021.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Cover
- Half Title
- Title
- Copyright
- Dedication
- Contents
- Illustrations
- Preface
- Acknowledgments
- On "Baroque"
- Introduction: Envisioning an Orphic Modernism
- 1 Overcoming Ascetic Style: Nietzsche and the Transvaluation of the Baroque
- Against Classical Rhetoric and Drama
- Nietzschean and Wagnerian Theatricalities
- Resentful and Affirmative Baroques
- De Te Fabula Narratur
- 2 The Matter of Spectacle: Mallarme and the Futures of Theatrical Ostentation
- The Drama of Silence
- Herodiade, "A Horrible Birth"
- Becoming Ornamental
- The Theater of the Book
- 3 Landscapes of Melancholy: Benjamin, Trauerspiel, and the Pathways of Tradition
- "History Passes into the Setting"-Baroque Spatialization
- Baroque Allegory as Nonmimetic Theatricality
- The Catastrophe in Permanence
- "Enter, fleeing"
- 4 The Citability of Baroque Gesture: Unsettling Stein
- "To Mount It Up"-Baroque Citationality on Stage
- Allegorical Temporality
- Functional Baroque Forms in Performance
- Last Act. / Which is a fact?
- Epilogue: Glancing Back, Reaching Forward
- Note on Translations
- Notes
- Bibliography
- Index
- A
- B
- C
- D
- E
- F
- G
- H
- I
- J
- K
- L
- M
- N
- O
- P
- Q
- R
- S
- T
- U
- V
- W
- Y
- Z