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20230905053316.0 |
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211120s2021 ne o 00 0 eng d |
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|a 9789048540013
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|a (OCoLC)1285784379
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|a MdBmJHUP
|c MdBmJHUP
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|a Madar, Heather.
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|a Prints as Agents of Global Exchange :
|b 1500-1800
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|a Amsterdam :
|b Amsterdam University Press,
|c 2021.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©2021.
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Visual and Material Culture, 1300-1700 Ser.
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| 500 |
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|a Figure 6 Detail from the birth of Timur, from an imperial copy of Abul Fazl's Akbarnama, (Vol. I). South Asia, Mughal, c. 1602. Painting ascribed to Surdas Gujarati. Opaque watercolors with gold on paper. The British Library Board (Or.12988.f.34v).
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|a Description based upon print version of record.
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|a Cover -- Table of Contents -- Introduction -- Heather Madar -- 1. Concealing and Revealing the Female Body in European Prints and Mughal Paintings -- Saleema Waraich -- 2. The Sultan's Face Looks East and West: European Prints and Ottoman Sultan Portraiture -- Heather Madar -- .3 From Europe to Persia and Back Again: Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter -- Kristel Smentek -- 4. The Dissemination of Western European Prints Eastward: The Armenian Case -- Sylvie L. Merian
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|a 5. The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties -- Yoshimi Orii -- 6 .(Re)framing the Virgin of Guadalupe: The Concurrence of Early Modern Prints and Colonial Devotions in Creating the Virgin -- Raphaele Preisinger -- 7. Hidden Resemblances: Re-contextualized and Re-framed: Diego de Valades' Cross Cultural Exchange -- Linda Báez and Emilie Carreón -- 8. The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru -- Alexandre Ragazzi -- 9. Ink and Feathers: Prints, Printed Books, and Mexican Featherwork -- Corinna T. Gallori -- Index
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|a List of illustrations -- 1 Concealing and Revealing the Female Body in EuropeanPrints and Mughal Paintings -- Figure 1 A Celestial Woman Attendant with a Vina (Stringed Instrument). Artist/maker unknown. 956-973, Sandstone, 25 1/8 × 10 1/2 × 7 1/4 inches (63.8 × 26.7 × 18.4 cm). Philadelphia Museum of Art, Purchased from the Stella Kramrisch Collection with funds
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|a Figure 2 Pietas Regia, the second title page from the first volume of Plantiin Biblia Sacra (also known as the Polyglot Bible). Printed by Christopher Plantiin in Antwerp between 1568-72. Newberry Digital Collections (Newberry Library) -- Figure 3 A female figure standing in a landscape holding a four-stringed "khuuchir" and a lotus, South Asia, Mughal, late 16th century (c. 1590). Opaque watercolor with gold on paper, mounted with borders of gold-decorated cream and blue paper -- page: 31.6
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|a Figure 4 The Martyrdom of Saint Cecilia, a close copy of an engraving by Jerome [Hieronymus] Wierix (Netherlandish, c. 1553-1619). Artist: Nini. South Asia, Mughal, first half of the 17th century. Opaque watercolor and gold on paper. Victoria and Albert -- Figure 5 The Annunciation, from a Mirror of Holiness (Mir'at al-quds) of Father Jerome Xavier, made for Prince Salim (later the emperor Jahangir). South Asia, Mughal, 1602-1604. Opaque watercolor and gold on paper -- page: 26.2 × 15.4 cm (10 5/16 × 6 1/16 i
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|a Description based on print version record.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/98225/
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2021 Complete
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| 945 |
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|a Project MUSE - 2021 Global Cultural Studies
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