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Dockside Reading : Hydrocolonialism and the Custom House /
"Isabel Hofmeyr traces the relationship between print culture, colonialism, and the ocean through the institution of the late-nineteenth- and early twentieth-century British colonial custom houses, which acted as censors and pronounced on copyright and checked imported printed matter for piracy...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Durham :
Duke University Press,
2022.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_98139 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905053311.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 211013s2022 ncu o 00 0 eng d | ||
| 010 | |z 2021016436 | ||
| 020 | |a 9781478022367 | ||
| 020 | |z 9781478017745 | ||
| 020 | |z 9781478015123 | ||
| 035 | |a (OCoLC)1275384281 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Hofmeyr, Isabel, |e author. | |
| 245 | 1 | 0 | |a Dockside Reading : |b Hydrocolonialism and the Custom House / |c Isabel Hofmeyr. |
| 264 | 1 | |a Durham : |b Duke University Press, |c 2022. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2022 | |
| 264 | 4 | |c ©2022. | |
| 300 | |a 1 online resource: |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Introduction: Hydrocolonialism : the view from the dockside -- The custom house and hydrocolonial governance -- Customs and objects on a hydrocolonial frontier -- Copyright on a hydrocolonial frontier -- Censorship on a hydrocolonial frontier -- Conclusion: Dockside genres and postcolonial literature. | |
| 520 | |a "Isabel Hofmeyr traces the relationship between print culture, colonialism, and the ocean through the institution of the late-nineteenth- and early twentieth-century British colonial custom houses, which acted as censors and pronounced on copyright and checked imported printed matter for piracy, sedition, or obscenity."-- |c Provided by publisher. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Postcolonialism. |2 fast |0 (OCoLC)fst01073032 | |
| 650 | 7 | |a Politics and government. |2 fast |0 (OCoLC)fst01919741 | |
| 650 | 7 | |a Colonies |x Administration. |2 fast |0 (OCoLC)fst00868457 | |
| 650 | 7 | |a British colonies. |2 fast |0 (OCoLC)fst01910374 | |
| 650 | 7 | |a Books and reading. |2 fast |0 (OCoLC)fst00836454 | |
| 650 | 7 | |a HISTORY / Africa / South / Republic of South Africa. |2 bisacsh | |
| 650 | 7 | |a LITERARY CRITICISM / Semiotics & Theory. |2 bisacsh | |
| 650 | 0 | |a Postcolonialism. | |
| 650 | 0 | |a Marks of origin |x Social aspects. | |
| 650 | 0 | |a Copyright |x Colonies |z Great Britain. | |
| 650 | 0 | |a Censorship |x Colonies |z Great Britain. | |
| 650 | 0 | |a Books and reading |x Colonies |z Great Britain. | |
| 650 | 0 | |a Customhouses |x Colonies |z Great Britain. | |
| 650 | 0 | |a Customs inspection |x Colonies |z Great Britain. | |
| 651 | 7 | |a South Africa |z Cape of Good Hope. |2 fast |0 (OCoLC)fst01213442 | |
| 651 | 7 | |a Great Britain. |2 fast |0 (OCoLC)fst01204623 | |
| 651 | 7 | |a Africa. |2 fast |0 (OCoLC)fst01239509 | |
| 651 | 0 | |a Cape of Good Hope (South Africa) |x Politics and government |y 1910-1994. | |
| 651 | 0 | |a Cape of Good Hope (South Africa) |x Politics and government |y 1872-1910. | |
| 651 | 0 | |a Great Britain |x Colonies |z Africa |x Administration. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/98139/ |
| 945 | |a Project MUSE - Custom Collection | ||