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Art and Ocean Objects of Early Modern Eurasia : Shells, Bodies, and Materiality /

During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, an...

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Detalles Bibliográficos
Autor principal: Grasskamp, Anna (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Place of publication not identified] : Amsterdam University Press, 2021.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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035 |a (OCoLC)1281707880 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Grasskamp, Anna,  |e author. 
245 1 0 |a Art and Ocean Objects of Early Modern Eurasia :   |b Shells, Bodies, and Materiality /   |c Anna Grasskamp. 
264 1 |a [Place of publication not identified] :  |b Amsterdam University Press,  |c 2021. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2021 
264 4 |c ©2021. 
300 |a 1 online resource (240 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Connected histories in the early modern world 
505 0 |a Cover -- Table of Contents -- Introduction -- 1 Shell Connections: The Exoticization and Eroticization of Asian Maritime Material Culture -- From Guangzhou to Florence: Parrot Cups as "Actors" -- Layers of Exoticization: Chinese and European Shell Surfaces -- Surfaces and Skins: The European Eroticization of Asian Shells -- Conclusion -- Shell Connections -- 2 Shell Bodies: The Creative Agency of Molluscs across Cultures -- Clever Objects -- Shell Agency -- Clam Creations -- Female Features -- Bird Bodies -- Cultured Connections -- Conclusion 
505 0 |a 3 Shell Worlds: Maritime Microcosms in EurAsian Art and Material Culture -- Shells in Flux -- Coralscapes -- Conclusion -- 4 Woman with a Shell: Transcultural Exchange, Female Bodies and Maritime Matters -- Women on Shells -- Women in Shells -- Women with Shells -- Women with EurAsian Shells -- Conclusion -- Woman with a Shell -- Conclusion -- Cited Primary and Secondary Sources -- Acknowledgments -- Index -- Backcover 
520 8 |a During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells' shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices. 
588 |a Description based on print version record. 
650 0 |a Material culture  |z Eurasia. 
650 0 |a Shells  |x Collection and preservation  |z China  |x History. 
650 0 |a Shells  |x Collection and preservation  |z Europe  |x History. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/97733/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2021 Complete 
945 |a Project MUSE - 2021 Archaeology and Anthropology