Athens at the Margins : Pottery and People in the Early Mediterranean World /

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Detalles Bibliográficos
Autor principal: Arrington, Nathan T. (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton : Princeton University Press, [2021]
Colección:Book collections on Project MUSE.
Temas:
HISTORY / Ancient / General
Pottery, Greek > Greece > Athens.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Cover
  • Contents
  • Preface and Acknowledgments
  • Chapter 1. The Margins
  • Greece and the Near East: The Need for a (Micro-)Regional Perspective
  • Style: Toward an Approach
  • Attica in the Seventh Century: Historical Context
  • In Defense of Protoattic
  • Synopsis
  • Chapter 2. From Phaleron Ware to Exotica: A Historiography of Protoattic
  • Why Look Back?
  • The First Finds and the Beginning of Orientalizing
  • A Canon Takes Shape
  • To Make Protoarchaic Art . . . Classical
  • The Turn to Consumption, and Its Consequences
  • Shifting the Orientalizing Paradigm
  • Chapter 3. The Place of Athens in the Mediterranean: Horizons and Networks
  • Which Way Is the Orient?
  • The Eastern Horizon
  • The Western Horizon
  • The Horizon of Antiquity
  • Western Connections: From Diffusion to Network Thinking
  • The "Oriental" West
  • Two Unexpected Trajectories: Odysseus and Colaeus
  • Feedback from the West
  • The Peripheries of a Global Mediterranean
  • Chapter 4. Interaction at the Grave: Style, Practice, and Status
  • More Than a Painting
  • The Landscape of Commemoration
  • Visibility and Variability in the Burial Record
  • Vases in Motion: Participation and Interaction in Funeral Rituals
  • Social Disorder and the Absence of Cultural Hegemony
  • Appropriation and Transformation: A Model for Change from Below
  • Dissent and Resistance
  • The Many Hands at Work
  • Chapter 5. Artists and Their Styles: Production, Process, and Subjectivity
  • Beyond Connoisseurship
  • The Paradox of the Seventh-Century Artist Personality
  • The Contexts of Production
  • Experiments with Figure and Ornament
  • Technique and the Emergence of the Painter's Hand
  • "Personal" Styles
  • Color Plates
  • Chapter 6. Drinking and Worshipping Together: Participation and Subjectivity in the Symposium and the Sanctuary
  • Communities of Individuals
  • Between Attic Red-Figure and Levantine Bowls
  • Nestor's Cup
  • Defining the Symposium and Its Participants
  • The Spinning Cup
  • Myths and Communities of Viewers
  • Entering the Group through Writing
  • Drinking and the Orient
  • Cult and Subjectivity
  • The Formation of Subjectivity and Community through Ritual Practice
  • The Demands of Cult
  • The Vase in Hand
  • Chapter 7. Back to Phaleron
  • Recap
  • Beyond Attica and the Seventh Century
  • The Future of Phaleron
  • Table1: Protoattic Burials
  • Abbreviations
  • Notes
  • Bibliography
  • Index

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