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210828s2021 nju o 00 0 eng d |
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|a 9780691222660
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|z 9780691175201
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|z 9780691226804
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|a (OCoLC)1265461005
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|a MdBmJHUP
|c MdBmJHUP
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|a Arrington, Nathan T.
|e author.
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|a Athens at the Margins :
|b Pottery and People in the Early Mediterranean World /
|c Nathan T. Arrington.
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|a Princeton :
|b Princeton University Press,
|c [2021]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2021
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|c ©[2021]
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|a 1 online resource.
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover -- Contents -- Preface and Acknowledgments -- Chapter 1. The Margins -- Greece and the Near East: The Need for a (Micro-)Regional Perspective -- Style: Toward an Approach -- Attica in the Seventh Century: Historical Context -- In Defense of Protoattic -- Synopsis -- Chapter 2. From Phaleron Ware to Exotica: A Historiography of Protoattic -- Why Look Back? -- The First Finds and the Beginning of Orientalizing -- A Canon Takes Shape -- To Make Protoarchaic Art . . . Classical -- The Turn to Consumption, and Its Consequences -- Shifting the Orientalizing Paradigm
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|a Chapter 3. The Place of Athens in the Mediterranean: Horizons and Networks -- Which Way Is the Orient? -- The Eastern Horizon -- The Western Horizon -- The Horizon of Antiquity -- Western Connections: From Diffusion to Network Thinking -- The "Oriental" West -- Two Unexpected Trajectories: Odysseus and Colaeus -- Feedback from the West -- The Peripheries of a Global Mediterranean -- Chapter 4. Interaction at the Grave: Style, Practice, and Status -- More Than a Painting -- The Landscape of Commemoration -- Visibility and Variability in the Burial Record
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|a Vases in Motion: Participation and Interaction in Funeral Rituals -- Social Disorder and the Absence of Cultural Hegemony -- Appropriation and Transformation: A Model for Change from Below -- Dissent and Resistance -- The Many Hands at Work -- Chapter 5. Artists and Their Styles: Production, Process, and Subjectivity -- Beyond Connoisseurship -- The Paradox of the Seventh-Century Artist Personality -- The Contexts of Production -- Experiments with Figure and Ornament -- Technique and the Emergence of the Painter's Hand -- "Personal" Styles -- Color Plates
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|a Chapter 6. Drinking and Worshipping Together: Participation and Subjectivity in the Symposium and the Sanctuary -- Communities of Individuals -- Between Attic Red-Figure and Levantine Bowls -- Nestor's Cup -- Defining the Symposium and Its Participants -- The Spinning Cup -- Myths and Communities of Viewers -- Entering the Group through Writing -- Drinking and the Orient -- Cult and Subjectivity -- The Formation of Subjectivity and Community through Ritual Practice -- The Demands of Cult -- The Vase in Hand -- Chapter 7. Back to Phaleron -- Recap -- Beyond Attica and the Seventh Century
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|a The Future of Phaleron -- Table1: Protoattic Burials -- Abbreviations -- Notes -- Bibliography -- Index
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|a Description based on print version record.
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| 650 |
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|a HISTORY / Ancient / General
|2 bisacsh
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|a Pottery, Greek
|z Greece
|z Athens.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/97587/
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|a Project MUSE - Custom Collection
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| 945 |
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|a Project MUSE - 2021 Complete
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| 945 |
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|a Project MUSE - 2021 Archaeology and Anthropology
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